by Timothy Robson

by Timothy Robson

by Daniel Hathaway

Paukert is referring to St. Paul’s Episcopal Church in Cleveland Heights, where he continues to serve as organist and choirmaster after retiring from the Museum. He plays occasional Sunday afternoon recitals there on the church’s two organs — the 1952 Holtkamp instrument at the front of the nave, and the 1986 Hradetzky Italian Baroque-style instrument in the back gallery.
Last fall, he launched a mini-festival of music for organ, voice, and instruments called Ars Organi. The second edition of that festival will span seven free events from September 29 through October 20.
The first concert on Sunday, September 29 at 4:00 pm will feature saxophonist Noa Even, who heads up new music activities at Kent State University. [Read more…]
by Timothy Robson

by Daniel Hathaway

by Daniel Hathaway

When Suter was growing up in Chicago, two things fascinated him, and the first one wasn’t music. “I took my first airplane ride when I was three,” he said in a recent telephone conversation. “For better or worse, they let me come up to the cockpit and I was hooked. I really wanted to be a pilot — who doesn’t when he’s a kid!”
The organ came later. “My dad was a Lutheran pastor, so I was exposed to organ playing every week. I found the instrument more technically fascinating than musical — I’m drawn to complexity — and originally I was more interested in building organs than in playing them. Then I started taking lessons at the age of 13 and fell in love with the repertoire.”
Suter revisited his interest in organ building while studying organ performance at Oberlin with Haskell Thompson from 1991-1995, where he came into contact with Oberlin’s organ technician. “Hal Gobert hired me for a few summers at his shop in Toronto. I think it makes you a better organist if you fully understand what goes on inside.” [Read more…]