Fei-Fei Archives - Cleveland Classical

Tuesday Musical: pianist Fei-Fei in Annual Baxtresser Concert (Nov. 21)

December 9, 2019 by David Kulma

by David Kulma

How can a composer tell a story through instrumental music? Although it’s a complex topic among music intellectuals, great performers can easily cut to the quick with carefully considered performances full of imagination. In Tuesday Musical’s annual concert dedicated to the late Margaret Baxtresser on November 21 at E.J. Thomas Hall, the pianist Fei-Fei brought both engaging musicality and delightful spoken commentary that showed how vivacious and poetic pianism can create a compelling narrative. [Read more…]

Tuesday Musical Association: a conversation with pianist Fei-Fei

November 18, 2019 by Jarrett Hoffman

by Jarrett Hoffman

Following in a line of pianists that has included Garrick Ohlsson, Yuja Wang, Emanuel Ax, and Conrad Tao, the latest performer to be featured in Tuesday Musical’s Margaret Baxtresser Annual Piano Concert is Fei-Fei.

A finalist in the 2013 Van Cliburn Competition and winner of the 2014 Concert Artists Guild Competition, Fei-Fei was also featured in Virtuosity, a documentary about the Cliburn that aired on PBS.

Beyond her resume, Fei-Fei has a unique approach to programming and is simply a delightful person, as I discovered during a recent phone call to talk about her recital at E.J. Thomas Hall on Thursday, November 21 at 7:30 pm. Tickets are available online.

[Read more…]

Cleveland Orchestra’s holiday concerts return with plenty of festive cheer (Dec. 11)

by Stephanie Manning

This article was originally published on Cleveland.com

CLEVELAND, Ohio — If the twinkling lights, leafy green garlands and festive poinsettias didn’t already clue you in, the holidays have arrived at Severance Music Center. ‘Tis the season for annual traditions — including The Cleveland Orchestra’s holiday concerts, which began on Wednesday evening.

Running through December 22, the programs feature plenty of seasonal classics plus some potential new favorites. The first performance proved that this mix is a delightful recipe for festive cheer.

“Look at you all, out on a school night!” conductor Sarah Hicks proclaimed joyfully from the podium. Just as many concertgoers donned red outfits to get into the spirit, Mandel Concert Hall was also decked out with decorations and stage lighting effects.

[Read on…]

Oberlin Conservatory convincingly tells Omar’s story (Dec. 8)

by Stephanie Manning

The Cleveland premiere of Rhiannon Giddens’ and Michael Abels’ Pultizer Prize-winning opera Omar on December 8 at the Maltz Performing Arts Center proved that concert productions of opera can succeed without sets, elaborate costumes and extensive staging. Indeed, the Oberlin Conservatory presentation offered more than enough to keep the audience in the crowded house enthralled.

The Opera, which was also presented at Oberlin’s Finney Chapel two days earlier, is based on the 1831 autobiography of Muslim scholar Omar ibn Said, the only such work written by an enslaved person during their enslavement, and the only such document written in Arabic.

Rhiannon Giddens’ brilliant libretto chronicles the life of ibn Said, beginning in present-day Senegal and following him through his capture, journey via the Middle Passage, and enslavement in North and South Carolina. [Read on…]

Kirill Gerstein is captivating on piano as Cleveland Orchestra recital series continues (Dec. 4)

by Daniel Hathaway

This article was originally published on Cleveland.com

CLEVELAND, Ohio — There’s no dearth of first-class piano performances to enjoy in Northeast Ohio, but Kirill Gerstein’s contribution to the collective wealth Wednesday night was extraordinary both in concept and execution.

Playing as part of the Cleveland Orchestra’s ongoing recital series at Severance Music Center, Gerstein wove an overarching narrative from the 21 little masked ball portraits in Robert Schumann’s “Carnaval.” Then he helped composer Francisco Coll blow up the idea of the waltz in two striking, brand new pieces written for Gerstein and joined Maurice Ravel in redefining that most civilized of dances in a cataclysmic performance of “La valse.”

[Read on…]

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