Fei-Fei Archives - Cleveland Classical

Tuesday Musical: pianist Fei-Fei in Annual Baxtresser Concert (Nov. 21)

December 9, 2019 by David Kulma

by David Kulma

How can a composer tell a story through instrumental music? Although it’s a complex topic among music intellectuals, great performers can easily cut to the quick with carefully considered performances full of imagination. In Tuesday Musical’s annual concert dedicated to the late Margaret Baxtresser on November 21 at E.J. Thomas Hall, the pianist Fei-Fei brought both engaging musicality and delightful spoken commentary that showed how vivacious and poetic pianism can create a compelling narrative. [Read more…]

Tuesday Musical Association: a conversation with pianist Fei-Fei

November 18, 2019 by Jarrett Hoffman

by Jarrett Hoffman

Following in a line of pianists that has included Garrick Ohlsson, Yuja Wang, Emanuel Ax, and Conrad Tao, the latest performer to be featured in Tuesday Musical’s Margaret Baxtresser Annual Piano Concert is Fei-Fei.

A finalist in the 2013 Van Cliburn Competition and winner of the 2014 Concert Artists Guild Competition, Fei-Fei was also featured in Virtuosity, a documentary about the Cliburn that aired on PBS.

Beyond her resume, Fei-Fei has a unique approach to programming and is simply a delightful person, as I discovered during a recent phone call to talk about her recital at E.J. Thomas Hall on Thursday, November 21 at 7:30 pm. Tickets are available online.

[Read more…]

Christmas with Cantus at Tuesday Musical (Nov. 30)

by Peter Feher

Tuesday Musical gave Akron audiences a generous Christmas gift this year. The presenter tied three holiday classics together in one sumptuous concert on Sunday afternoon, November 30, at E.J. Thomas Hall. First up was the story of The Velveteen Rabbit, followed by a quick waltz through The Nutcracker and a ride on The Polar Express.

Delightfully, this trio of tales was recounted with drama and poise — not by any actors or dancers but by the eight members of the all-male a cappella ensemble Cantus. The group, based in Minnesota and now in its fourth decade, is once again touring the country with a polished, compact production of carols, pop tunes, and of course Tchaikovsky.

[Read on…]

Oberlin Music Theater soars in The Great Comet of 1812 (Dec. 3)

by Peter Feher

The stars aligned for Oberlin Music Theater’s production of Natasha, Pierre & The Great Comet of 1812, suggesting a bright future for the college’s newest area of study.

Oberlin Conservatory has cultivated young talent for more than 150 years, but musical theater only entered the curriculum this semester. The program’s first students arrived in the fall under director and professor Victoria Bussert, who brought with her several colleagues from Baldwin Wallace University — including a few who collaborated on her 2023 staging of Great Comet for Cleveland’s Great Lakes Theater company.

Even for the experienced, this show is a massive undertaking, with a story adapted from Leo Tolstoy’s War and Peace and a score demanding stamina and stylistic range. But nothing daunted the student actors on opening night, December 3. Not the immersive direction by Bussert, nor the energy-intensive choreography by Alex Sanchez. (Two casts alternated in eight performances through December 10.)

[Read on…]

Cleveland Orchestra channels all things merry, bright in Holiday Concert at Severance (Dec. 13)

by Kevin McLaughlin

Photo by Roger Mastroianni

This article was originally published on Cleveland.com

CLEVELAND, Ohio — Holiday concerts trade on familiarity, but the best of them feel less like ritual and more like reunion.

On Saturday evening, Dec. 13 at Mandel Concert Hall, The Cleveland Orchestra welcomed a full house for the second of its twelve annual Holiday Concerts, a tradition that dates back to 1919.

Led by guest conductor Sarah Hicks, with soprano Meredith Wohlgemuth and the Cleveland Orchestra Chorus, and members of the Blossom Festival Chorus under the direction of Lisa Wong, the evening unfolded with easy charm.

Throughout the performance, Hicks proved an ideal guide. Her conducting was clear and unshowy, her rapport with the audience unaffected and delightful.

[Read on…]

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