by Stephanie Manning
It’s too bad that Earth Day — April 22 — didn’t fall on a Tuesday this year. But the eve of Earth Day still felt like a fitting time to hear “Voice of Nature: The Anthropocene,” the program Renée Fleming recently brought to Tuesday Musical.
The superstar soprano’s current touring concert — based on her Grammy-winning album of the same name — is a product of her increasing connection to nature during the early days of the pandemic. Fleming’s visit to Akron’s E.J. Thomas Hall on April 21st brought out one of the biggest crowds in recent memory, greeting her with a celebrity welcome.
Although the album and the concert program share a title, only some of the original tracks were present, specifically Nico Muhly’s Endless Space and Kevin Puts’ Evening. Pieces by Edvard Grieg, Gabriel Fauré, and Franz Liszt were swapped for a more eclectic combination of genres, including Björk’s “All Is Full of Love” and Hazel Dickens’ “Pretty Bird.” Throughout, Fleming sang both with a handheld microphone, and unamplified.
Performing a work as ubiquitous as Antonio Vivaldi’s The Four Seasons requires a delicate balance. At its best, the musicality and intention must be crystal clear, so that the end result feels as fresh as it does familiar. It’s a high bar, but one that Les Arts Florissants cleared with the utmost ease.
On Tuesday evening, October 21, pianist Marc-André Hamelin opened Tuesday Musical’s 2025–26 season in Akron’s E.J. Thomas Hall with a program of unusual range and scale. He mapped the human mind and heart across an often-epic landscape — Beethoven’s granite Hammerklavier, Robert Schumann’s not merely scenic Waldszenen, and Ravel’s hallucinatory Gaspard de la nuit.
There are very few American cities who can count themselves as having an official fanfare. But now, Akron is one of them.