Gerhard Hradetzky Archives - Cleveland Classical

Ars Organi at St. Paul’s, Cleveland Heights: Christie reveals secrets of the Italian organ (Sep. 19)

September 25, 2017 by Daniel Hathaway

by Daniel Hathaway

For his contribution to the Ars Organi Festival at St. Paul’s Episcopal Church in Cleveland Heights on September 19, Oberlin professor James David Christie was charged with demonstrating the eloquent musical possibilities of the North Italian-style Baroque organ built by Gerhard Hradetzky in 1986 for the rear gallery of the nave. Not only did he place the instrument in its historical-liturgical context — with the help of Steven Plank and a group of women’s voices from the Oberlin Collegium Musicum — but he went far beyond a history lesson to show how delightful music by nine composers of the period can be when matched up with the right instrument. [Read more…]

Paukert plans Ars Organi to celebrate music program at St. Paul’s, Cleveland Hts.

September 13, 2017 by Daniel Hathaway

by Daniel Hathaway

Both during his tenure as curator of musical arts at the Cleveland Museum of Art (1974-2004), and since 1979 as organist at St. Paul’s Episcopal Church in Cleveland Heights, Karel Paukert has combined unerring musical taste with an uncanny ability to acquire splendid keyboard instruments. The three organs and harpsichord owned by St. Paul’s will be the subject of Ars Organi, a seven-event festival beginning on September 15 that matches the instruments with the particular interests of some of Paukert’s colleagues, friends, and students.

“I don’t want to say this is my swan song,” Paukert said in a telephone conversation, “but I want to pay homage to St. Paul’s Church and its generous donors with this festival. They have maintained this music program all the way back to Walter Blodgett, who was kind of a legend here.”

St. Paul’s Church moved to the Heights from 40th and Euclid in 1928, but the Great Depression and World War II delayed its building plans beyond the construction of a parish hall until 1952. [Read more…]

Oberlin Opera stages a Cendrillon of professional quality (Nov. 10)

by Daniel Hathaway

Any regional opera company would be popping its buttons with pride to have produced such an impressive performance of Jules Massenet’s Cendrillion (Cinderella) as Oberlin Opera did in Hall Auditorium on Sunday afternoon, November 10.

Imaginative staging by Stephanie Havey, skillful pacing by conductor James Feddeck, beautiful set design and costuming by Laura Carlson-Tarantowski and Chris Flaharty, respectively, plus dramatic and — for the fairies — enchanting lighting by Jeremy K. Benjamin provided a supportive environment for splendid singing by the cast and brilliant playing by the Oberlin Chamber Orchestra.

Literally thousands of versions of the Cinderella tale exist in cultures around the globe, but many of the details of Massenet’s opera date back to Charles Perrault’s 1697 Cendrillon ou la petite pantoufle de verre, which adds what have now become essential elements to the tale: a young girl mistreated by her stepmother and stepsisters, who temporarily attracts the attention of a handsome prince at a royal ball and is eventually reunited with him to become a princess herself. [Read on…]

Seraph Brass dances through musical travels in Rocky River (Nov. 11)

by Stephanie Manning

Before Seraph Brass arrived in Ohio on November 11, the group’s fall touring season had taken them on the road to Missouri, Florida, New York, and even Peru. And at the Rocky River Chamber Music Society, they gave the audience a taste of the traveling life right from the first piece.

The “Prelude” from Edvard Greig’s Holberg Suite whisked listeners away to Norway, with a melody surely familiar to many. It was extra familiar to the brass quintet themselves, who launched into their opening number without sheet music. Playing memorized is part of the group’s trademark, and they smoothly alternated using music and no music throughout the evening. Either way, the wide-ranging program had those at West Shore Unitarian Universalist Church spellbound.

Trumpet players Mary Elizabeth Bowden and Raquel Samayoa, horn player Layan Atieh, trombonist Lauren Casey-Clyde, and tuba player Robyn Black sounded equally comfortable in Romantic and contemporary repertoire, flipping between both with practiced ease. [Read on…]

Cleveland Orchestra’s Beethoven Concerto Cycle performance featured pairing of rising star and mentor (Nov. 15)

This article was originally published on Cleveland.com

By Daniel Hathaway

CLEVELAND, Ohio — For the third program in The Cleveland Orchestra’s Beethoven Piano Concerto Cycle, the pairing of 20-year-old Korean pianist Yunchan Lim with his mentor Minsoo Sohn was an astute programming decision.

Well-established names on the concert circuit — Orion Weiss, Sir Stephen Hough, and Garrick Ohlsson — had already filled the empty solo spots for the composer’s Triple Concerto and solo concertos 2, 3, and 4. But the choice of the youngest pianist ever to win the Van Cliburn Competition to close out the Cleveland series packed Mandel Concert Hall at Severance Music Center on Friday evening, November 15, with a near-capacity audience teeming with enthusiastic young people.

[Read on…]

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