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Inspired conducting and solos grace Cleveland Orchestra’s performance of Mahler’s Symphony No. 3 (Oct. 17)

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by Daniel Hathaway

This article was originally published on Cleveland.com.

CLEVELAND, Ohio —  On Thursday evening at Severance Music Center, The Cleveland Orchestra launched a trio of performances of Gustav Mahler’s Symphony No. 3 with Finnish conductor Klaus Mäkëla at the helm and the assistance of mezzo-soprano Jennifer Johnson, the upper voices of the Cleveland Orchestra chorus, and the Cleveland Orchestra Children’s Chorus.

Mahler 3 is a famously long piece — its first movement alone lasts as long as the following five. Paying close attention to the composer’s explicit instructions, and never letting things get too big too soon, Mäkëla expertly paced the work, creating an arch that gathered the 110-minute performance into a glorious whole rather than treating it as a continuous series of unrelated climaxes. [Read more…]

Cleveland Orchestra delivers intense, animated performance of Stravinsky’s 1913 classic The Rite of Spring (Apr. 18)

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by Daniel Hathaway | Cleveland Classical
Originally published on Cleveland.com

CLEVELAND, Ohio — On Thursday evening, while the mysterious life forces of nature were busy choreographing an early outburst of vernal colors outside Severance Music Center, guest conductor Klaus Mäkelä and The Cleveland Orchestra were deeply engaged in recreating an ancient spring ritual from pagan Russia inside Mandel Concert Hall.

Igor Stravinsky’s 1913 ballet score The Rite of Spring gave the conductor and orchestra the raw material for their task, but the large body of musicians dug deep into their physical resources, producing a Rite that was singularly explosive and terrifying in its power, but no less variegated than what nature itself was serving up.

[Read more…]

Klaus Mäkelä and Cleveland Orchestra treat listeners to a magical musical feast (Apr. 11)

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by Daniel Hathaway | Cleveland Classical

Originally published on Cleveland.com

CLEVELAND, Ohio — Music can transport you — not only emotionally, but physically — to another time and place.

Cleveland Orchestra fans who hopped on guest conductor Klaus Mäkelä’s magic carpet at Severance Music Center on Thursday evening were swept away to the streets of Lima to hear Peruvian street vendors hawking their goods, then to England for a ramble through the Malvern Hills, and finally to ancient Iraq to quaff wine with the king of Babylon and a thousand of his idol-worshiping lords. Although the evening didn’t turn out well for Belshazzar, Walton’s music raised the roof of Mandel Concert Hall by a yard or two with resplendent orchestral and choral sound.

[Read more…]

Mahler and Chin play to The Cleveland Orchestra’s strengths (Feb. 9)

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by Stephanie Manning

On February 9, concertgoers approaching Severance Music Center likely noticed the dramatic lighting choices — the building had been lit up in a deep red. With Mahler’s Fifth Symphony on the program, it felt fitting. The composer’s intense and passionate works are popular with both musicians and audiences, and an unsurprisingly crowded house packed Mandel Concert Hall for the occasion. Not only was the music guaranteed to generate interest, but so was the conductor: young Finnish phenom Klaus Mäkelä, in his second consecutive week this season with The Cleveland Orchestra.

Audiences did not see much of Mäkelä the previous week, as illness forced him to bow out of three of four performances. But on Thursday evening, he was back and characteristically full of energy. With fluid, yet bouncy movements that make his style easily identifiable, the conductor is a fascinating watch on the podium. Frequent changes in stance and an unabashed expressiveness create the feeling that the beats are echoing through his body.

The musicians were responsive to Mäkelä’s every move. [Read more…]

Week 2: Klaus Mäkelä returns to The Cleveland Orchestra podium

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by Mike Telin

After an illness forced Klaus Mäkelä to withdraw from three of the four scheduled performances last week, the Finnish conductor will return to The Cleveland Orchestra podium on Thursday, February 9 at 7:30 pm at Severance Music Center.  The program will include Unsuk Chin’s SPIRA – Concerto for Orchestra and Gustav Mahler’s Symphony No. 5, and it will be repeated on Saturday at 8:00 pm. Tickets are available online.

Last week I caught up with the friendly conductor by phone for a brief chat while he was backstage at Severance.

Mike Telin: How did you come to pair the Unsuk Chin with the Mahler?

Klaus Mäkelä: The Mahler is a tough piece to program with because it is a bipolar symphony. It’s tragic and then dramatic and has some of the most beautiful music ever written. And it ends in contrapuntal joy. It’s a symphony where everybody has an opportunity to shine. And Unsuk Chin’s piece is a beautiful concerto for orchestra. She was a student of Ligeti, and she has an extremely detailed and careful way of writing for the orchestra. In a way she reminds me of Mahler in that she is precise down to the very last detail.

Of course the piece is a showcase for the orchestra but in a virtuosic way. The strings play fast and very high and the horn has a big solo. But everything blends together. It takes a group mentality to play, which is something about The Cleveland Orchestra that is very special for me. [Read more…]

Klaus Mäkelä returns to The Cleveland Orchestra podium

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by Mike Telin

Since making his Cleveland Orchestra debut in July of 2019, visits by Finnish conductor Klaus Mäkelä have become highly anticipated events. Tonight at 8:00 pm Mäkelä returns to Severance Music Center to lead the Orchestra in Andrew Norman’s Sustain (replacing Truls Mørk’s Cello Concerto), Debussy’s Images and Ravel’s Boléro. The program will be repeated on Friday at 7:30, Saturday at 8, and Sunday at 3. Tickets are available online

I caught up with the friendly conductor by phone backstage at Severance for a brief chat.

Mike Telin: You just finished a rehearsal — I trust it went well.

Klaus Mäkelä: It did. I can say that I am absolutely delighted to be here. The way they play all of these pieces, especially Images, which is one of the most complicated. There’s so much detail, but that should never be the point, it needs to become part of the piece. But this orchestra is so wonderful, that is not a problem. [Read more…]

Mäkelä & Szeps-Znaider lead The Cleveland Orchestra through emotional peaks & valleys (Apr. 22)

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by Stephanie Manning

No matter how many times certain symphonic staples are performed, the music always invites the opportunity to dig deeper  — and on Friday, April 22 at Severance Music Center, The Cleveland Orchestra did just that. Under the baton of rising star Klaus Mäkelä, the ensemble took two masterworks in the classical canon to a new level with a performance that plumbed the emotional depths of both Sibelius and Shostakovich.

The young Finnish conductor seemed to relish his third appearance on the Severance podium, and both he and soloist Nikolaj Szeps-Znaider approached Sibelius’ Violin Concerto with passion. Though the compositional process of Sibelius’s only concerto was hampered by uncertainty, there was nothing uncertain about Szeps-Znaider’s interpretation. His full, warm sound blended effortlessly with the Orchestra, whose lush, Romantic playing never obscured the soloist.

[Read more…]

Violinist Nikolaj Szeps-Znaider to play Sibelius with The Cleveland Orchestra

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by Mike Telin

Tonight, Thursday April 21 at 7:30 pm at Severance Music Center, violinist Nikolaj Szeps-Znaider will join The Cleveland Orchestra and guest conductor Klaus Mäkelä in Sibelius’ Violin Concerto. The evening also includes Shostakovich’s Symphony No. 10. The program will be repeated on Friday at 7:30 pm and Saturday at 8:00 pm. Tickets are available online.

I caught up with the violinist by telephone yesterday just after the rehearsal had ended.

Mike Telin: I hope the rehearsal went well. But this is a concerto you know quite well.

Nikolaj Szeps-Znaider: It did and it is. I’ve played it an awful lot — a wonderful awful lot. It’s one of the earliest pieces that I learned when I started playing.

It’s also one of those pieces that I don’t recall saying “I need a few years rest from it.” I’m always happy when it’s on the program. [Read more…]

Replacing van Zweden, Klaus Mäkelä joins Augustin Hadelich at Severance (Oct. 17)

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by Daniel Hathaway

The original Cleveland Orchestra lineup this month was to have featured former and current New York Philharmonic music directors two weeks in a row, but Jaap van Zweden had to withdraw due to a family medical issue in the Netherlands. He was replaced on the weekend of October 17 by the 23-year-old Finnish conductor Klaus Mäkelä, who had made a sensational debut with the Orchestra last summer at Blossom, and if anything, topped that performance at Severance Hall. [Read more…]

Cleveland Orchestra at Blossom: debuts for Mäkelä & Lozakovich (July 20)

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by Daniel Hathaway

As Scandinavians, Finnish conductor Klaus Mäkelä and Swedish violinist Daniel Lozakovich should be well-accustomed to the intentional high temperatures and humidity of saunas, though they probably don’t expect to encounter those while plying their craft on the concert stage. On Saturday, July 20, they rose above miserable weather conditions to make impressive joint debuts with The Cleveland Orchestra at Blossom. [Read more…]

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