Kyle Landry Archives - Cleveland Classical

ChamberFest Cleveland closes 2015 season with “Stars and Stripes” (July 1)

July 7, 2015 by Daniel Hathaway

by Timothy Robson

The 2015 season of ChamberFest Cleveland closed with a mostly American program in a spectacular venue: the angular, modernist home of Dr. Eugene and Janet Blackstone in Bratenahl along the shore of Lake Erie. The house, with its west-facing glass curtain wall, overlooks manicured lawns, and, after weeks of unending rain in Cleveland, there were sailboats on the lake as the sun set. The house also integrates a four-manual, custom-built pipe organ sprouting seemingly from every surface. The spaces not occupied by organ pipes (and a concert grand piano) were taken by audience members, in the main living area, an upper gallery and on the stairs. [Read more…]

Cleveland Orchestra’s holiday concerts return with plenty of festive cheer (Dec. 11)

by Stephanie Manning

This article was originally published on Cleveland.com

CLEVELAND, Ohio — If the twinkling lights, leafy green garlands and festive poinsettias didn’t already clue you in, the holidays have arrived at Severance Music Center. ‘Tis the season for annual traditions — including The Cleveland Orchestra’s holiday concerts, which began on Wednesday evening.

Running through December 22, the programs feature plenty of seasonal classics plus some potential new favorites. The first performance proved that this mix is a delightful recipe for festive cheer.

“Look at you all, out on a school night!” conductor Sarah Hicks proclaimed joyfully from the podium. Just as many concertgoers donned red outfits to get into the spirit, Mandel Concert Hall was also decked out with decorations and stage lighting effects.

[Read on…]

Oberlin Conservatory convincingly tells Omar’s story (Dec. 8)

by Stephanie Manning

The Cleveland premiere of Rhiannon Giddens’ and Michael Abels’ Pultizer Prize-winning opera Omar on December 8 at the Maltz Performing Arts Center proved that concert productions of opera can succeed without sets, elaborate costumes and extensive staging. Indeed, the Oberlin Conservatory presentation offered more than enough to keep the audience in the crowded house enthralled.

The Opera, which was also presented at Oberlin’s Finney Chapel two days earlier, is based on the 1831 autobiography of Muslim scholar Omar ibn Said, the only such work written by an enslaved person during their enslavement, and the only such document written in Arabic.

Rhiannon Giddens’ brilliant libretto chronicles the life of ibn Said, beginning in present-day Senegal and following him through his capture, journey via the Middle Passage, and enslavement in North and South Carolina. [Read on…]

See all reviews

Follow ClevelandClassical.com

Contact us