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Les Délices: Noel, Noel from darkness into light

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by Mike Telin

With the Winter Solstice and the conclusion of Advent upon us, the days grow shorter in the Northern Hemisphere — a quiet time for meditation, reflection, and anticipation that brightness will soon arrive.

On Wednesday, December 20 at 7:30 pm at Holy Trinity Lutheran Church in Akron, Les Délices will present Noel, Noel, performed by Amanda Powell (soprano), Debra Nagy (recorder and direction), Julie Andrijeski and Allison Monroe (violins), Rebecca Landell (viola da gamba), Mark Edwards (organ), and Daniel Swenberg (theorbo and Baroque guitar). The program will be repeated on Thursday at West Shore Unitarian Universalist Church and Friday at the Cultural Arts Center at Disciples Church, both at 7:30 pm. Tickets are available online.

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Les Délices & Kaleidoscope: Purcell plus at Lakewood Presbyterian (Sept. 29)

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by Daniel Hathaway

Debra Nagy, director of Cleveland’s period instrument ensemble Les Délices, invited Arianne Abela and her geographically widespread vocal ensemble Kaleidoscope to the first installment of its 15th anniversary season on September 29 at Lakewood Presbyterian Church.

After extensive opening remarks, the two organizations collaborated in “The Pow’r of Musick,” a two-hour concert intermingling works by English Baroque composer Henry Purcell with four contemporary choral pieces, two of them by members of Kaleidoscope. [Read more…]

Les Délices celebrates fifteen years

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by Mike Telin

Anniversaries are an opportunity to reflect and to forge new adventures. When Debra Nagy set out to plan Les Délices’ 15th season, she wanted it to be “familiar and extremely ambitious.”

Les Délices will launch their season next week by taking the award-winning SalonEra series to another level. On Saturday, September 23 at 3:00 pm at Heights Theater, audiences are invited to attend the debut of SalonEra Sessions with a program titled Songs for Social Justice. The 75-minute concert and conversation, hosted by Nagy, will feature countertenor Michael Walker and tenor Haitham Haidar, who will explore themes of identity and representation, struggle and resilience, and community and belonging. The event will be recorded, edited, and released as a SalonEra episode later in the season. During the program Walker and Haidar will be joined by Nagy (oboe), Rebecca Reed (cello), and Brian Kay (lute and oud).

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15th-century fun with Les Délices (Apr. 22)

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by Stephanie Manning

In the same way that 21st-century music lovers might display their CD collection, more than 500 years ago, Isabella d’Este inlaid her favorite music in her wall.

That piece — Johannes Ockeghem’s Prenez sur moi — kicked off Les Délices’s recent program “Isabella’s Renaissance,” which celebrated the achievements of the renowned 15th-century art patron. Whether by patronage, performance, or study, the music on this hour-long concert was connected in some way to the Marchioness of Mantua.

The evening’s six sections each included two to three pieces, often sandwiching instrumental works in between vocal ones for a sense of balance. Smooth and simple stage changes led the audience at Lakewood Presbyterian Church on April 22 to instinctively hold their applause until the end of each section.

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Les Délices: Enchanted Isle at Plymouth (Feb. 26)

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by Daniel Hathaway

Les Délices lucked upon a sun-drenched, nearly balmy Sunday afternoon for its February 26 “Enchanted Island” program in Herr Chapel at Plymouth Church — weather that perfectly suited the subject but no doubt affected the turnout for soprano Sherezade Panthhaki’s impressive debut with the ensemble in solo cantatas by Clérambault and Rameau.

Although the ensemble reinvented itself to some extent to weather the pandemic, Artistic Director Debra Nagy continues to return to its original, winning format: one-hour programs of French Baroque repertoire, assiduously researched, prepared, and performed by Cleveland’s finest period instrumentalists, usually featuring guest vocalists. [Read more…]

Les Délices: Rejoice! Bach Cantatas for Advent

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by Emmy Hensley

“Bach is a goldmine in terms of repertory. It’s really the golden age of the oboe and the apogee of its repertoire. But it’s so rich for everyone and anyone,” oboist Debra Nagy said about Les Délices’ upcoming program, Rejoice! Bach Cantatas for Advent.

The ensemble will perform Bach’s Schwingt freudig euch empor and Nun komm der Heiden Heiland, along with Handel’s Concerto Grosso, Op. 3 no. 4 in F on December 2 through 4 around the Cleveland area. “All of the spaces will be beautiful for this program,” Nagy said. “The one-on-a-part texture will be really gorgeous and present in these spaces.”

The productions of Rejoice perfectly coincide with the first week of Advent, which began on November 27. Nagy also hinted that these performances are special in a multitude of ways. “I’m excited about the program because Les Délices has never produced Bach Cantatas. Plus, they are rarely heard in Cleveland in general. We have a unique opportunity to present these extraordinary pieces.” Click here for more information and to purchase tickets.

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Les Délices: “Winds of Change” (Oct. 23)

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by Stephanie Manning

Rarely is there a program title as accurate as Les Délices’ “Winds of Change.” The program embraced the new and different in a variety of ways — referencing both specific events, like the French and Haitian revolutions, and broader ideas, like advocacy for composers of color. Originally presented as an online offering last season, on October 23 the concert proved it was certainly worth hearing live.

Sunday afternoon also featured a first-time venue for the ensemble: West Shore Unitarian Universalist Church in Rocky River. Though visually unassuming, the space delivered fantastic acoustics for small instrumentations. In the Quartet for flute and strings by Joseph Bologne, Chevalier de St. Georges, the gossamer sounds of Emi Ferguson’s flute resonated perfectly above a three-piece string accompaniment. Violinist Shelby Yamin, violist Allison Monroe, and cellist Rebecca Reed contributed a great sense of energy to the piece as they supported Ferguson.

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Les Délices opens season
with “The Highland Lassie” 
(Sept. 24)

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by Mike Telin

Why is it that people never seem to tire of 18th-century Scottish folk songs? The moment we hear the poems of A red, red rose, they conjure up the image of the lonely romantic, sitting alone next to a fireplace or in the corner of a village pub while a band entertains the other patrons.

On Saturday afternoon, September 24, Les Délices brought these images to life during their season opener, “The Highland Lassie.” The program mixed an entertaining set of songs steeped in romantic sentimentality, with fiddle tunes that made it impossible not to tap along. The venue — Dunham Tavern Museum — provided the perfect ambiance for the capacity crowd to sit back and enjoy the 60-plus minutes of top-notch performances that blurred the lines between folk song and art song.

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Les Délices to open season with “The Highland Lassie” 

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by Mike Telin 

My luve is like a red red rose
That’s newly sprung in June;
O my Luve’s like the melodie
That’s sweetly play’d in tune;

While these words are attributed to the Scottish bard Robert Burns, he was more accurately the compiler of the famous song. And in their season-opening program, Les Délices keeps the tradition of creating arrangements of songs from multiple sources alive.   

On Saturday, September 24 at 4:00 pm and 7:30 pm at Dunham Tavern Museum, Les Délices will present “The Highland Lassie.” The program combines songs, variation sets, and dances — all of which have their origins in the 18th century — performed by Debra Nagy (Baroque oboe, recorders, and voice), Elena Mullins (soprano), Julie Andrijeski (violin), Allison Monroe (violin, viola, and voice), Rebecca Reed (cello), and Mark Edwards (harpsichord). Tickets are available online. 

“Developing the program required a lot of source digging, which was pretty fun,” artistic director Debra Nagy said during a recent telephone conversation. “It’s historical from the point of view that I did some research into what an Edinburgh dance band from around 1760 consisted of, and I discovered that even an ensemble of a pair of violins and an oboe could make up a dance band.”

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Les Délices: The White Cat, a new Baroque opera at the Breen (Apr. 2)

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by Daniel Hathaway

Ailurophiles rejoice! There’s a new opera in town, created as many French Baroque titles were back in the day, out of bits and pieces of existing material, and the principal character is a large feline. (It’s actually a princess seeking to be rehumanized through the traditional heroic means of fulfilling a series of impossible challenges or quests.)

The creative team behind The White Cat begins with Les Délices artistic director Debra Nagy, who has had Larry Rosenwald adapt Marie-Catherine D’Aulnoy’s story La Chatte Blanche into a five-act (or five-quest) libretto that recasts the manipulative Puss in Boots, who gets ahead almost entirely through trickery, into a kinder, gentler feline. Each quest is linked with a French version of one of Aesop’s Fables coupled with a divertissement, and joined together by well-known tunes like Couperin’s Les Barricades Mysterieuses. [Read more…]

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