by Tom Wachunas
First-time listeners to Music Einem Ritterballet (Music for a Knight’s Ballet) might understandably hear more of Mozart or Haydn than Beethoven in the work. Still, the choice of this early composition (1791) to open the third concert of the Canton Symphony Orchestra Beethoven Festival on April 25, jaunty and charming as it is, ultimately served to illuminate Beethoven’s separation from his classical predecessors in a steady and bold ascent to the pinnacle of his ninth symphony. [Read more…]