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Les Délices: music fosters meaningful conversation at Cleveland’s VA Medical Center (Feb. 21)

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by Stephanie Manning

Navigating dementia — a common, yet devastating part of aging — requires confronting all sorts of complex emotions. People with memory loss, their caregivers, and the medical teams who interact with them all understand this well. So when Les Délices commissioned a piece tackling this difficult topic, they made a special effort to bring the music to those who would resonate with it the most.

The Louis Stokes Cleveland VA Medical Center hosted the early music ensemble for two performance-discussion sessions on February 21, a moving and emotional afternoon of empathetic, honest conversations about memory loss all framed by the solace of music.

At 12:00 pm, medical professionals and providers gathered in the rec hall, where flags of the U.S., the Department of VA, and the military’s many branches now provided a backdrop to a harpsichord and a collection of music stands. As part of the “Bioethics at Noon” series, the Les Délices musicians performed François Couperin’s La Visionnaire and selections from Viet Cuong’s world premiere, A Moment’s Oblivion. [Read more…]

Les Délices contemplates what makes us human in “A Moment’s Oblivion” (Feb. 23)

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by Stephanie Manning

“How wretched to forget,” sings the son in A Moment’s Oblivion — a character whose father now struggles to recognize members of his own family. “For all we were forms who we are.”

But the miracle cure that restores his father’s memory turns out to be a more fraught solution than it appears. Such is the conflict at the heart of Les Délices’ recent commission, with music by Viet Cuong and libretto by Cleveland poet Dave Lucas. The early music ensemble’s latest program surrounded the world premiere of A Moment’s Oblivion with more musical opportunities to reflect on the complex, and sometimes contradictory, emotions that make us human. [Read more…]

Les Délices: Debra Nagy’s singular, ambitious Four Seasons (Apr. 13)

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by Peter Feher

Most Clevelanders spend at least part of the year wishing they could change the seasons here. But oboist Debra Nagy has actually done it with her ambitious rearrangement of Antonio Vivaldi’s The Four Seasons.

In adapting these familiar violin concertos to the strengths and tastes of Les Délices — her period-instrument ensemble that continues to push historical performance in unexpected directions — Nagy has achieved something singular. [Read more…]

Michael Lynn acquires 18th-century book with unique flute music by Marin Marais, includes selections on BPI faculty concert

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by Daniel Hathaway

The Oberlin Baroque Performance Institute faculty concert on Tuesday afternoon, June 20 featured flutist Michael Lynn, harpsichordist Mark Edwards, and gambist Rebecca Reed in recently-discovered works by Marin Marais and Michel de la Barre.

The pieces were drawn from a large collection of dance suites offered for sale at a book auction earlier this year in Paris. Lynn learned about it in an email from the auctioneer, who wrote that there was “something related to the flute” in the collection being sold.

“As it turned out there was only a single music book in a very large library of books described as being from the Chateau de Champagne, but it is a superb collection of the earliest traverso solo and duo music written and published in France,” Lynn said during a recent conversation in the Special Collections room at the Oberlin Conservatory Library prior to Tuesday’s concert. “The composers, de la Barre, Hotteterre, and Marais, were all employed by Louis XIV and the music is all from his lifetime.”

[Read more…]

Les Délices: Enchanted Isle at Plymouth (Feb. 26)

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by Daniel Hathaway

Les Délices lucked upon a sun-drenched, nearly balmy Sunday afternoon for its February 26 “Enchanted Island” program in Herr Chapel at Plymouth Church — weather that perfectly suited the subject but no doubt affected the turnout for soprano Sherezade Panthhaki’s impressive debut with the ensemble in solo cantatas by Clérambault and Rameau.

Although the ensemble reinvented itself to some extent to weather the pandemic, Artistic Director Debra Nagy continues to return to its original, winning format: one-hour programs of French Baroque repertoire, assiduously researched, prepared, and performed by Cleveland’s finest period instrumentalists, usually featuring guest vocalists. [Read more…]

Les Délices opens season
with “The Highland Lassie” 
(Sept. 24)

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by Mike Telin

Why is it that people never seem to tire of 18th-century Scottish folk songs? The moment we hear the poems of A red, red rose, they conjure up the image of the lonely romantic, sitting alone next to a fireplace or in the corner of a village pub while a band entertains the other patrons.

On Saturday afternoon, September 24, Les Délices brought these images to life during their season opener, “The Highland Lassie.” The program mixed an entertaining set of songs steeped in romantic sentimentality, with fiddle tunes that made it impossible not to tap along. The venue — Dunham Tavern Museum — provided the perfect ambiance for the capacity crowd to sit back and enjoy the 60-plus minutes of top-notch performances that blurred the lines between folk song and art song.

[Read more…]

Les Délices to open season with “The Highland Lassie” 

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by Mike Telin 

My luve is like a red red rose
That’s newly sprung in June;
O my Luve’s like the melodie
That’s sweetly play’d in tune;

While these words are attributed to the Scottish bard Robert Burns, he was more accurately the compiler of the famous song. And in their season-opening program, Les Délices keeps the tradition of creating arrangements of songs from multiple sources alive.   

On Saturday, September 24 at 4:00 pm and 7:30 pm at Dunham Tavern Museum, Les Délices will present “The Highland Lassie.” The program combines songs, variation sets, and dances — all of which have their origins in the 18th century — performed by Debra Nagy (Baroque oboe, recorders, and voice), Elena Mullins (soprano), Julie Andrijeski (violin), Allison Monroe (violin, viola, and voice), Rebecca Reed (cello), and Mark Edwards (harpsichord). Tickets are available online. 

“Developing the program required a lot of source digging, which was pretty fun,” artistic director Debra Nagy said during a recent telephone conversation. “It’s historical from the point of view that I did some research into what an Edinburgh dance band from around 1760 consisted of, and I discovered that even an ensemble of a pair of violins and an oboe could make up a dance band.”

[Read more…]

Les Délices: The White Cat, a new Baroque opera at the Breen (Apr. 2)

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by Daniel Hathaway

Ailurophiles rejoice! There’s a new opera in town, created as many French Baroque titles were back in the day, out of bits and pieces of existing material, and the principal character is a large feline. (It’s actually a princess seeking to be rehumanized through the traditional heroic means of fulfilling a series of impossible challenges or quests.)

The creative team behind The White Cat begins with Les Délices artistic director Debra Nagy, who has had Larry Rosenwald adapt Marie-Catherine D’Aulnoy’s story La Chatte Blanche into a five-act (or five-quest) libretto that recasts the manipulative Puss in Boots, who gets ahead almost entirely through trickery, into a kinder, gentler feline. Each quest is linked with a French version of one of Aesop’s Fables coupled with a divertissement, and joined together by well-known tunes like Couperin’s Les Barricades Mysterieuses. [Read more…]

Les Délices goes live
with The White Cat

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by Mike Telin

For centuries the fairy tale of Puss in Boots, the wily cat who stops at nothing to gain power and wealth for his penniless master, has been a source of inspiration for composers and choreographers.

“For some time I’ve been thinking about how to bring attention to the women authors of fairy tales from late 17th-century France,” Debra Nagy said during a telephone conversation. “I started reading them and thinking about which stories would be appealing to a 21st-century reader, and Catherine D’Aulnoy’s The White Cat really drew my attention. It’s an interesting rewrite of Puss-in-boots from the point of view of her humility, kindness, and generosity which is in contrast to the manipulative Puss-in-boots who gets ahead almost entirely through trickery.”

On Friday, April 1st at 7:30 pm at the Akron Public Library, Les Délices will present their new 65-minute opera, The White Cat. [Read more…]

“Pre-Review” — Les Délices:
The Highland Lassie

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by Daniel Hathaway

Just in time for Rabbie Burns Day (January 25), Les Délices will release its latest concert series episode, “The Highland Lassie,” for on-demand viewing on Vimeo beginning on Thursday, January 20.

Robert Burns (1759-1796), Scotland’s national bard, played a major role in the preservation of Scottish traditional music, joining a group of collectors who were mainly interested in capturing the texts of ballads passed down orally and thus subject to subconscious or intentional changes as they moved from host to host — not unlike viruses, as we now know all too well.

That process created the families of related songs most famously codified in five volumes published from 1882-1898 by Harvard professor Francis James Child. On this program, one of the best-known families provides soprano Elena Mullins with the material for a sensitive rendition of Barbara Allen. [Read more…]

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