by Daniel Hathaway
As their name implies, the rarefied music of the French baroque is the pain quotidien of Cleveland’s period instrument ensemble Les Délices, but artistic director Debra Nagy occasionally points her excellent and variable group in other directions.
The latest crossing of genres at West Shore Unitarian Universalist Church on Sunday afternoon, April 27, took Nagy and her colleagues out of the salons of Paris across the Channel to the docks of Portsmouth.
Wielding her baroque oboe and recorder, Nagy joined soprano Elena Mullins Bailey, violinist Allison Monroe, cellist Rebecca Landell, percussionist Anthony Taddeo, and special guest Sean Dagher, shantyman and Irish bouzouki artist, in slightly more than an hour’s worth of rollicking sea shanties, plus oceanic tunes by Henry Purcell, Joseph Haydn, and Maurice Green.
When we think of the Medieval period, musical variety is usually not the first thing that comes to mind. But Allison Monroe and her Trobár Medieval colleagues would beg to differ with that sentiment. “There’s a lot of variety in the repertoire,” Monroe said during a recent interview.
Rarely is there a program title as accurate as Les Délices’ “Winds of Change.” The program embraced the new and different in a variety of ways — referencing both specific events, like the French and Haitian revolutions, and broader ideas, like advocacy for composers of color. Originally presented as an online offering last season, on October 23 the concert proved it was certainly worth hearing live.
Why is it that people never seem to tire of 18th-century Scottish folk songs? The moment we hear the poems of 
Time and time again, Les Délices has imbued a sense of creativity into the concert experience — particularly over the past two years, when pandemic restrictions called for some out-of-the-box thinking. On February 25 in Shaker Heights, their first in-person event since 2020 proved to be no exception, blending poetry and music for an engaging evening of storytelling.
Parallel revolutions in France and Haiti have inspired the second episode of this season’s online concert series from Les Délices. “Winds of Change,” which went live on November 18 and is available both on subscription and as a single performance, includes late 18th-century music by Joseph Bologne (Chevalier de Saint-Georges), Karl Bochsa, and Luigi Boccherini, and the premiere of a commissioned piece, Haitian-born composer Sydney Guillaume’s A Journey to Freedom.
Les Délices has once again joined forces with Boston’s Blue Heron, this time to produce the impressive video “Machaut’s Lai of the Fountain,” which debuted on Vimeo on April 8, and remains available on-demand until April 19.
Now that the cold and dreary winter is behind us, our thoughts turn to spring. And with trees beginning to blossom and flowers blooming we can begin to think about cultivating the garden. On April 8 at 7:30 pm, 