Maurizio Pollini Archives - Cleveland Classical

DIARY: Thursday, January 5, 2023

January 5, 2023 by Jarrett Hoffman

by Jarrett Hoffman

IN THIS EDITION:

•Tonight: Cleveland Orchestra with Gilbert and a trio of soloists

•News: Kent Blossom applications open, CIM’s Sara Daneshpour (pictured) appointed professor at CCM, and Dwight Oltman memoir available

•Almanac: a trio of famous pianists in Medtner, Brendel, and Pollini

HAPPENING TODAY:

Tonight at 7:30 pm, Alan Gilbert leads The Cleveland Orchestra in a concert that includes Haydn’s Symphony No. 90, Carl Nielsen’s Symphony No. 3 (“Sinfonia espansiva”), featuring soprano Liv Redpath and baritone Justin Austin as soloists, and the world premiere of James Oliverio’s timpani concerto Legacy Ascendant, which will shine a spotlight on principal timpani Paul Yancich. The program will be repeated on Saturday. Tickets are available here, and you can read Mike Telin’s recent interview with Oliverio here.

[Read more…]

Oberlin Conservatory convincingly tells Omar’s story (Dec. 8)

by Stephanie Manning

The Cleveland premiere of Rhiannon Giddens’ and Michael Abels’ Pultizer Prize-winning opera Omar on December 8 at the Maltz Performing Arts Center proved that concert productions of opera can succeed without sets, elaborate costumes and extensive staging. Indeed, the Oberlin Conservatory presentation offered more than enough to keep the audience in the crowded house enthralled.

The Opera, which was also presented at Oberlin’s Finney Chapel two days earlier, is based on the 1831 autobiography of Muslim scholar Omar ibn Said, the only such work written by an enslaved person during their enslavement, and the only such document written in Arabic.

Rhiannon Giddens’ brilliant libretto chronicles the life of ibn Said, beginning in present-day Senegal and following him through his capture, journey via the Middle Passage, and enslavement in North and South Carolina. [Read on…]

Kirill Gerstein is captivating on piano as Cleveland Orchestra recital series continues (Dec. 4)

by Daniel Hathaway

This article was originally published on Cleveland.com

CLEVELAND, Ohio — There’s no dearth of first-class piano performances to enjoy in Northeast Ohio, but Kirill Gerstein’s contribution to the collective wealth Wednesday night was extraordinary both in concept and execution.

Playing as part of the Cleveland Orchestra’s ongoing recital series at Severance Music Center, Gerstein wove an overarching narrative from the 21 little masked ball portraits in Robert Schumann’s “Carnaval.” Then he helped composer Francisco Coll blow up the idea of the waltz in two striking, brand new pieces written for Gerstein and joined Maurice Ravel in redefining that most civilized of dances in a cataclysmic performance of “La valse.”

[Read on…]

Cleveland Orchestra delivers a stirring night of Shostakovich, Mozart and Chopin with Heras-Casado and Ax (Dec. 5)

by Peter Feher

This article was originally published on Cleveland.com

CLEVELAND, Ohio — It’s fitting that conductor Pablo Heras-Casado should be leading The Cleveland Orchestra this week in Dmitri Shostakovich’s Symphony No. 10 — the work of a mid-career composer who was looking to make a major statement.

A decade ago, Heras-Casado was regularly touted as a possible candidate for a music directorship at a top U.S. orchestra. Although some of the heat has died down since — the 47-year-old Spaniard is currently between posts and sticking to guest-conducting gigs — he started to get the furnace roaring again at Severance Music Center on Thursday, Dec. 5.

[Read on…]

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