Max Friedman Archives - Cleveland Classical

No Exit New Music Ensemble: Laura King gets to the bottom of three world premieres

December 1, 2022 by Daniel Hathaway

by Daniel Hathaway

No Exit New Music Ensemble has scheduled three world premieres for its December concert cycle that begins at Praxis Fiber Gallery on Thursday, December 1, and continues on Saturday the 3rd at 8 pm (SPACES) and Friday the 9th at 7:30 pm (Kent State University).

Guest pianist Shuai Wang will join the ensemble — violinist Cara Tweed, violist James Rhodes, cellist Nicholas Diodore, pianist and composer Nicholas Underhill, flutist Sean Gabriel, clarinetist Gunnar Owen Hirthe, percussionist Luke Rinderknecht, artistic director and composer Timothy Beyer, and composer, conductor, and pianist James Praznik — in a program that includes music by Henry Cowell and world premieres by Max Friedman (Butter-lider), David Glaser (Aurora II), and Frank Wiley (The Dream of Sisyphus).

Taking a novel approach to introducing the program, the ensemble sent Laura King to interview the three composers, revealing interesting insights into their individual personalities, sources of inspiration, and creative processes. [Read more…]

Cleveland Orchestra’s holiday concerts return with plenty of festive cheer (Dec. 11)

by Stephanie Manning

This article was originally published on Cleveland.com

CLEVELAND, Ohio — If the twinkling lights, leafy green garlands and festive poinsettias didn’t already clue you in, the holidays have arrived at Severance Music Center. ‘Tis the season for annual traditions — including The Cleveland Orchestra’s holiday concerts, which began on Wednesday evening.

Running through December 22, the programs feature plenty of seasonal classics plus some potential new favorites. The first performance proved that this mix is a delightful recipe for festive cheer.

“Look at you all, out on a school night!” conductor Sarah Hicks proclaimed joyfully from the podium. Just as many concertgoers donned red outfits to get into the spirit, Mandel Concert Hall was also decked out with decorations and stage lighting effects.

[Read on…]

Oberlin Conservatory convincingly tells Omar’s story (Dec. 8)

by Stephanie Manning

The Cleveland premiere of Rhiannon Giddens’ and Michael Abels’ Pultizer Prize-winning opera Omar on December 8 at the Maltz Performing Arts Center proved that concert productions of opera can succeed without sets, elaborate costumes and extensive staging. Indeed, the Oberlin Conservatory presentation offered more than enough to keep the audience in the crowded house enthralled.

The Opera, which was also presented at Oberlin’s Finney Chapel two days earlier, is based on the 1831 autobiography of Muslim scholar Omar ibn Said, the only such work written by an enslaved person during their enslavement, and the only such document written in Arabic.

Rhiannon Giddens’ brilliant libretto chronicles the life of ibn Said, beginning in present-day Senegal and following him through his capture, journey via the Middle Passage, and enslavement in North and South Carolina. [Read on…]

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