Michael Coleman Archives - Cleveland Classical

Cleveland Museum of Art presents Dervish, the Irish Sligo Band

March 9, 2016 by Daniel Hathaway

by Mike Telin

“Sligo music is known as one of the finest types of Irish traditional music,” singer Cathy Jordan of the band Dervish said during a telephone conversation. “The style is fast and furious with highly ornamented reels, jigs, and hornpipes. It has a jaunt to it and it’s very rhythmic.”

On Friday, March 11 at 7:30 pm, Dervish will make a stop at the Cleveland Museum of Art’s Gartner Auditorium as part of the band’s three-week U.S. tour. The evening’s high-energy performance will feature Brian McDonagh on mandolin, Liam Kelly on flute and whistles, Shane Mitchell on accordion, Michael Holmes on bouzouki, Cathy Jordan on vocals, and special guest Kevin Burke on fiddle. The concert is part of the Museum’s Performing Arts Series. [Read more…]

Cleveland Orchestra’s holiday concerts return with plenty of festive cheer (Dec. 11)

by Stephanie Manning

This article was originally published on Cleveland.com

CLEVELAND, Ohio — If the twinkling lights, leafy green garlands and festive poinsettias didn’t already clue you in, the holidays have arrived at Severance Music Center. ‘Tis the season for annual traditions — including The Cleveland Orchestra’s holiday concerts, which began on Wednesday evening.

Running through December 22, the programs feature plenty of seasonal classics plus some potential new favorites. The first performance proved that this mix is a delightful recipe for festive cheer.

“Look at you all, out on a school night!” conductor Sarah Hicks proclaimed joyfully from the podium. Just as many concertgoers donned red outfits to get into the spirit, Mandel Concert Hall was also decked out with decorations and stage lighting effects.

[Read on…]

Oberlin Conservatory convincingly tells Omar’s story (Dec. 8)

by Stephanie Manning

The Cleveland premiere of Rhiannon Giddens’ and Michael Abels’ Pultizer Prize-winning opera Omar on December 8 at the Maltz Performing Arts Center proved that concert productions of opera can succeed without sets, elaborate costumes and extensive staging. Indeed, the Oberlin Conservatory presentation offered more than enough to keep the audience in the crowded house enthralled.

The Opera, which was also presented at Oberlin’s Finney Chapel two days earlier, is based on the 1831 autobiography of Muslim scholar Omar ibn Said, the only such work written by an enslaved person during their enslavement, and the only such document written in Arabic.

Rhiannon Giddens’ brilliant libretto chronicles the life of ibn Said, beginning in present-day Senegal and following him through his capture, journey via the Middle Passage, and enslavement in North and South Carolina. [Read on…]

See all reviews

Follow ClevelandClassical.com

Contact us