by Daniel Hautzinger
“Viennese” is often a byword for “light.” It conjures images of bourgeois gentlemen nibbling cream-filled pastries while being entertained by effortless waltzes like “The Beautiful Blue Danube.” The second concert in Oberlin Conservatory’s String Quartet Intensive and Festival, “A Viennese Evening” on Jan. 10 in Kulas Recital Hall, was thus a charming and pleasant affair.
The program began with an oddity, Ferdinand Rebay’s Quartet in d minor for guitar and string trio. Rebay (1880-1953) spent most of his life in Vienna and died in obscurity after being blacklisted by the Nazis, as violist and organizer of the Festival Michael Strauss explained during intermission. Rebay is so unknown that Friday night was the U.S. premiere of the work. Strauss was joined by three other Oberlin faculty members for the piece: violinist David Bowlin, cellist Darrett Adkins, and guitarist Stephen Aron, who suggested the performance.
Guitar is rare in chamber music. Rebay, perhaps understanding its lack of projection, mostly uses the guitar in the d minor quartet to flesh out the harmony or to add rhythmic excitement. [Read more…]