Montrose Piano Trio Archives - Cleveland Classical

Cleveland Chamber Music Society brings some favorites back for its 2016-2017 season at Plymouth Church

September 13, 2016 by Daniel Hathaway

by Daniel Hathaway

For its 67th season, the Cleveland Chamber Music Society will present its customary lineup of seven world-class chamber music groups — plus a young artists showcase and a young artists competition. You won’t see the names of any new ensembles on the roster for 2016-2017, but there’s a major personnel change and an interesting realignment of musicians that will be of primary interest to chamber music lovers.

“I’m looking forward to the new configuration of the Juilliard String Quartet (pictured left),” said CCMS president Barbara Green in a telephone conversation last weekend. “It’s the first time the Juilliard have included a woman [cellist Astrid Schween, who replaces Joel Krosnick], and I’ve heard every permutation since the very beginning. And then there’s the Cleveland debut of the Montrose Piano Trio, which includes violinist Martin Beaver and cellist Clive Greensmith — the two remaining members of the Tokyo Quartet — plus pianist Jon Kimura Parker, who played for CCMS some years ago with the Berlin Philharmonic Woodwind Quintet.” [Read more…]

Cleveland Orchestra’s holiday concerts return with plenty of festive cheer (Dec. 11)

by Stephanie Manning

This article was originally published on Cleveland.com

CLEVELAND, Ohio — If the twinkling lights, leafy green garlands and festive poinsettias didn’t already clue you in, the holidays have arrived at Severance Music Center. ‘Tis the season for annual traditions — including The Cleveland Orchestra’s holiday concerts, which began on Wednesday evening.

Running through December 22, the programs feature plenty of seasonal classics plus some potential new favorites. The first performance proved that this mix is a delightful recipe for festive cheer.

“Look at you all, out on a school night!” conductor Sarah Hicks proclaimed joyfully from the podium. Just as many concertgoers donned red outfits to get into the spirit, Mandel Concert Hall was also decked out with decorations and stage lighting effects.

[Read on…]

Oberlin Conservatory convincingly tells Omar’s story (Dec. 8)

by Stephanie Manning

The Cleveland premiere of Rhiannon Giddens’ and Michael Abels’ Pultizer Prize-winning opera Omar on December 8 at the Maltz Performing Arts Center proved that concert productions of opera can succeed without sets, elaborate costumes and extensive staging. Indeed, the Oberlin Conservatory presentation offered more than enough to keep the audience in the crowded house enthralled.

The Opera, which was also presented at Oberlin’s Finney Chapel two days earlier, is based on the 1831 autobiography of Muslim scholar Omar ibn Said, the only such work written by an enslaved person during their enslavement, and the only such document written in Arabic.

Rhiannon Giddens’ brilliant libretto chronicles the life of ibn Said, beginning in present-day Senegal and following him through his capture, journey via the Middle Passage, and enslavement in North and South Carolina. [Read on…]

Kirill Gerstein is captivating on piano as Cleveland Orchestra recital series continues (Dec. 4)

by Daniel Hathaway

This article was originally published on Cleveland.com

CLEVELAND, Ohio — There’s no dearth of first-class piano performances to enjoy in Northeast Ohio, but Kirill Gerstein’s contribution to the collective wealth Wednesday night was extraordinary both in concept and execution.

Playing as part of the Cleveland Orchestra’s ongoing recital series at Severance Music Center, Gerstein wove an overarching narrative from the 21 little masked ball portraits in Robert Schumann’s “Carnaval.” Then he helped composer Francisco Coll blow up the idea of the waltz in two striking, brand new pieces written for Gerstein and joined Maurice Ravel in redefining that most civilized of dances in a cataclysmic performance of “La valse.”

[Read on…]

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