Music Box Supper Club Archives - Cleveland Classical

Mack & McGuire’s Ghosts of Gatsby at Music Box Supper Club (Jan. 12)

January 14, 2020 by Daniel Hathaway

by Daniel Hathaway

Although the turbulent marriage of F. Scott and Zelda Fitzgerald — self-caricatures of the Jazz Age — has inspired a number of literary efforts in addition to their own near-autobiographical novels, the subject never seems to have been approached through the lens of opera. Composer Evan Mack and librettist Joshua McGuire have stepped in to fill that void with their one-act The Ghosts of Gatsby, commissioned by Samford University (Montgomery, Alabama), where it premiered in November 2018. [Read more…]

Looking for a Valentine’s Day concert? Perhaps we can help you

February 12, 2019 by Daniel Hathaway

by Daniel Hathaway

It’s Valentine’s Day all week this week, and aside from the obvious gifts — flowers, chocolates, and shiny bling — there are a number of ways to take to heart the new advice of gifting your love interest experiences rather than things.

Our Concert Listings have been providing such a service since the website was launched in 2008. Consider this message from one of our readers way back in 2009:

I’m grateful for ClevelandClassical.com for so many reasons. In fact, I learned about Nathan Gunn’s performance at Oberlin through you, which has now become the central feature of my surprise Valentine’s Day date with my fiancée! I owe you big time now.

Here are some suggestions for your own Valentine.

[Read more…]

Cleveland Orchestra’s holiday concerts return with plenty of festive cheer (Dec. 11)

by Stephanie Manning

This article was originally published on Cleveland.com

CLEVELAND, Ohio — If the twinkling lights, leafy green garlands and festive poinsettias didn’t already clue you in, the holidays have arrived at Severance Music Center. ‘Tis the season for annual traditions — including The Cleveland Orchestra’s holiday concerts, which began on Wednesday evening.

Running through December 22, the programs feature plenty of seasonal classics plus some potential new favorites. The first performance proved that this mix is a delightful recipe for festive cheer.

“Look at you all, out on a school night!” conductor Sarah Hicks proclaimed joyfully from the podium. Just as many concertgoers donned red outfits to get into the spirit, Mandel Concert Hall was also decked out with decorations and stage lighting effects.

[Read on…]

Oberlin Conservatory convincingly tells Omar’s story (Dec. 8)

by Stephanie Manning

The Cleveland premiere of Rhiannon Giddens’ and Michael Abels’ Pultizer Prize-winning opera Omar on December 8 at the Maltz Performing Arts Center proved that concert productions of opera can succeed without sets, elaborate costumes and extensive staging. Indeed, the Oberlin Conservatory presentation offered more than enough to keep the audience in the crowded house enthralled.

The Opera, which was also presented at Oberlin’s Finney Chapel two days earlier, is based on the 1831 autobiography of Muslim scholar Omar ibn Said, the only such work written by an enslaved person during their enslavement, and the only such document written in Arabic.

Rhiannon Giddens’ brilliant libretto chronicles the life of ibn Said, beginning in present-day Senegal and following him through his capture, journey via the Middle Passage, and enslavement in North and South Carolina. [Read on…]

Kirill Gerstein is captivating on piano as Cleveland Orchestra recital series continues (Dec. 4)

by Daniel Hathaway

This article was originally published on Cleveland.com

CLEVELAND, Ohio — There’s no dearth of first-class piano performances to enjoy in Northeast Ohio, but Kirill Gerstein’s contribution to the collective wealth Wednesday night was extraordinary both in concept and execution.

Playing as part of the Cleveland Orchestra’s ongoing recital series at Severance Music Center, Gerstein wove an overarching narrative from the 21 little masked ball portraits in Robert Schumann’s “Carnaval.” Then he helped composer Francisco Coll blow up the idea of the waltz in two striking, brand new pieces written for Gerstein and joined Maurice Ravel in redefining that most civilized of dances in a cataclysmic performance of “La valse.”

[Read on…]

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