by Daniel Hathaway

The extra strings on that instrument added range and resonance to Spera’s program, which began and ended with famous works from the passacaglia family, with a contemporary piece at its center.
At the end of his “Mystery” Sonatas — fifteen little suites for violin and continuo based on the Joyful, Sorrowful, and Glorious Mysteries of Christ represented by the beads on the Rosary — Heinrich Ignatz Franz Biber added a postlude in the form of a passacaglia for solo violin based on a four-bar descending bass figure. [Read more…]




