by Kevin McLaughlin
Jason Vieaux, a guitarist with an uncommonly clean technique and broad palette, made a fine opening act for the Cleveland International Classical Guitar Festival at the Cleveland Institute of Music’s Mixon Hall on Thursday, June 6. He was joined in the second half by violinist Mari Sato, an ideal chamber music partner. Vieaux’s ability to bestow tonal and dynamic nuance gave refreshing variety to every piece, and his cleanly articulated rhythms added panache and polish.
The concert opened with Mexican composer Manuel Ponce’s Sonatina Meridional (“Southern Sonatina”), written to sound Spanish at the behest of Andrés Segovia. Vieaux brought out the linear elegance of the first movement, called “Campo” by Segovia, and the right amount of Iberian swing. So convincing was his ability to change color, you might have thought he had changed instruments if you weren’t looking — the low-register “pizzicato” passages, for example, sounded like an electric bass. The following two movements, “Copla” and “Fiesta,” were artfully done, too, with Segovia-like virtues: a multitude of colors, subtle dynamics, and long arcs of phrasing. [Read more…]
On Thursday, June 1 at the Cleveland Institute of Music’s Mixon Hall, guitarist Jason Vieaux opened the 2023 Cleveland International Classical Guitar Festival with a sparkling display, mixing assured technique with an impressively broad guitar ethos. In a program stretching from Albéniz to Metheny, Vieaux acquitted himself with ease and authority, setting a high bar for every festival recital to follow.
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