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Cleveland International Classical Guitar Festival celebrates 26 years this June

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by Mike Telin

With the flipping of the calendar next week, the summer festival season in Northeast Ohio is set to launch. Keeping with tradition, the Cleveland International Classical Guitar Festival will once again be leading the way.

Celebrating its 26th year, the Festival will run from June 4 through 7 at the Cleveland Institute of Music. This year CICGF will be highlighted by six concerts performed by internationally renowned guitarists and supporting musicians, six lectures, six master classes, private lessons, a demonstration of fine concert guitars, and the seventh annual James Stroud National Classical Guitar Youth Competition.

“Year 26, believe it or not,” Festival founder and artistic director Armin Kelly exclaimed during a recent telephone conversation. He noted that the six concerts are equally divided between solo and chamber music recitals. All performances will be held in Mixon Hall.

[Read more…]

Cleveland International Classical Guitar Festival: recitals by the Patterson-Sutton Duo & Jason Vieaux (June 6 & 7)

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by Kevin McLaughlin

The Cleveland International Classical Guitar Festival just keeps getting better and better. For 2025, there are masterclasses, lectures, a youth competition, guitar-maker showcases, and several headliner recitals by guitar royalty — a heady blend, whether you’re a die-hard or a casual listener. The concerts were held in the Cleveland Institute of Music’s Mixon Hall, an acoustic and sensory jewel of a room to hear music in, especially the soft-spoken kind.

On Friday June 6, cellist Kimberly Patterson and guitarist Patrick Sutton — the Patterson-Sutton Duo — offered a varied and vivid program, moving easily from the folk-infused music of Wales to more contemporary sounds. Their taut and expressive playing balanced the program’s strands of tradition and invention.

Stephen Goss’s Welsh Folk Songs, a suite of six traditional melodies arranged for cello and guitar, opened the program. The work communicates the rich folk heritage of Wales and allowed both instrumentalists to evoke a world of fable and memory.

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Petra Poláčková dazzles at CICGF with a journey into Czech Music (June 9)

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by Max Newman

You will not hear many classical guitarists with a better feel for emotion, atmosphere, pace, and tone than Petra Poláčková. The talented Czech musician showcased all of these talents and more for the audience at the Cleveland Institute of Music’s Mixon Hall on Sunday afternoon June 9.

The performance, the penultimate event of the Cleveland International Classical Guitar Festival, spanned four exhilarating Czech works. On this particular afternoon, golden sunbeams streaked in through Mixon’s floor-to-ceiling windows, drenching the stage with a light that underscored the otherworldly quality of Poláčková’s playing. One would be hard-pressed to find a more musically exhilarating way of closing out this magnificent series. [Read more…]

Jason Vieaux & Mari Sato open 2024 Cleveland International Classical Guitar Festival (June 6)

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by Kevin McLaughlin

Jason Vieaux, a guitarist with an uncommonly clean technique and broad palette, made a fine opening act for the Cleveland International Classical Guitar Festival at the Cleveland Institute of Music’s Mixon Hall on Thursday, June 6. He was joined in the second half by violinist Mari Sato, an ideal chamber music partner. Vieaux’s ability to bestow tonal and dynamic nuance gave refreshing variety to every piece, and his cleanly articulated rhythms added panache and polish.

The concert opened with Mexican composer Manuel Ponce’s Sonatina Meridional (“Southern Sonatina”), written to sound Spanish at the behest of Andrés Segovia. Vieaux brought out the linear elegance of the first movement, called “Campo” by Segovia, and the right amount of Iberian swing. So convincing was his ability to change color, you might have thought he had changed instruments if you weren’t looking — the low-register “pizzicato” passages, for example, sounded like an electric bass. The following two movements, “Copla” and “Fiesta,” were artfully done, too, with Segovia-like virtues: a multitude of colors, subtle dynamics, and long arcs of phrasing. [Read more…]

Petra Poláčková gains steam at the CICG Festival (June 9)

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by Rory O’Donoghue

Czech guitarist Petra Poláčková returned to the Cleveland International Classical Guitar Festival with a performance that gained in confidence and character as it went along on Sunday, June 9 in CIM’s Mixon Hall. She began with several works by the wildly successful lutenist Sylvius Leopold Weiss, which she performed on her beautiful nine-string Romantic guitar crafted by Jan Tulacek. Visually striking with its additional strings, the instrument had a pure, sweet sound of remarkable depth. [Read more…]

Cleveland International Classical Guitar Festival: Duo Melis,
partners onstage and off

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by Mike Telin

DuoMelisBeginning on Friday, June 8 and continuing through Sunday, June 10 at the Cleveland Institute of Music, the 2018 edition of the Cleveland International Classical Guitar Festival will feature thirteen artists and ensembles, five concerts, nine master classes, and three lectures.

“Cleveland is a special place for us,” Susana Prieto said by telephone from her home in Greece. “Apart from the great hall we have a special relationship with Armin Kelly. He presented us as a duo for the first time in the States. He believed in us and we always like to come back to the Festival.”

On Saturday, June 9 at 8:00 pm in Mixon Hall, Susana Prieto will join her Duo Melis partner, Alexis Muzurakis, in a concert that will include works by Granados, Kapustin, Lhoyer, Piazzolla, Rodrigo, and Scarlatti. The Duo will also present a master class on Sunday, June 10 at 11:30 am in CIM Studio 217. That event is free and open to the public. Click here to view the Festival’s full schedule. Tickets are available online. [Read more…]

Cleveland International Classical Guitar Festival: Brad DeRoche to explain the mysteries of practicing

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by Mike Telin

DEROCHE-BradAs the joke goes: A young musician stops a man on a New York sidewalk and asks: How do you get to Carnegie Hall? Practice, the man replies. On Friday, May 30 beginning at 6:45 pm in Studio 113 at the Cleveland Institute of Music, Brad DeRoche will give a lecture titled “Acquisition of Expertise on the Classical Guitar: The Effects of Mindset, Willpower, Goals, and Practice in the Quest for Mastery.” Free and open to the public, the lecture is presented by the Cleveland International Classical Guitar Festival.

DeRoche, who is director of classical guitar studies at the Interlochen Arts Academy, the summer Arts Camp, as well as chair of the music department at Delta College, traces his interest in the subject of achievement back to his own desire to become a more accomplished classical guitar player as well as a better teacher. DeRoche also holds positions as instructor of guitar at Central Michigan University and Saginaw Valley State University.

“About a dozen years ago, I read an article in BBC Music Magazine by K. Anders Ericsson, a professor of psychology at Florida State University,” DeRoche said during a recent telephone conversation. “The article was about what goes into the making of a successful musician. Ericsson was searching for the X factor: what is it that makes violinist A better the violinist B.” [Read more…]

Cleveland International Classical Guitar Festival to conclude with recital by Jason Vieaux & Julien Labro

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by Carlyn Kessler, Special Contributor

VIEAUX-LABROOn Sunday, June 1st at 7:30 pm, Jason Vieaux, guitar, and Julien Labro, bandoneón, will close out the 2014 Cleveland International Classical Guitar Festival with a dynamic recital at Cleveland Institute of Music’s Mixon Hall.

Vieaux and Labro, who have been collaborating for the past four years, will perform a varied program consisting of works by Brouwer, Gnatalli, Metheny and Piazzolla. In a recent conversation, Vieaux, who is the head of the CIM guitar department, described the formation of their musical duo. Vieaux, who describes himself as a jazz enthusiast, heard Labro playing accordion with his group Hot Club of Detroit four years ago at Cleveland’s Nighttown.

Vieaux said that the group did not intend to transport the audience back to the 1930’s, but instead “used instrumentation as a springboard for new ideas.” Both Vieaux and the crowd were “knocked out” by Labro’s solo playing. Vieaux and Labro chatted after the performance and discovered that they were “fans of a lot of the same kind of music.” [Read more…]

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