by Kevin McLaughlin

One of Indian classical music’s defining traits is the irregularity of intervals and pitches — something you might hear from a sitarist or a vocalist — yielding a broader expressive palette. To fully appreciate Lal’s work, one had to set that convention aside and receive his Western reinterpretation on its own terms.



When Utsav Lal first received a performance offer from Piano Cleveland, he was pleasantly surprised. “ I know the bulk of their work involves pretty straight-ahead classical piano and the Competition,” he said in a recent interview. “I do things a little differently, so it’s nice that they’re interested in what I’ve been working on.”