Opera Per Tutti Archives - Page 2 of 2

Preview: Opera Per Tutti to stage two Puccini one-acts at Cleveland Public Theatre

April 17, 2013 by Special to ClevelandClassical.com

by Mike Telin

Since the premiere of Puccini’s Il trittico in 1918 at the Metropolitan Opera, the three one-act operas that comprise The Triptych have continued to be audience favorites. On Friday, Friday, April 19 at 7:30 and Sunday, April 21^st at 3:00 pm, Cleveland Public Theatre’s Opera Company in Residence, Opera Per Tutti (OPT) will complete The Triptych cycle with productions of Suor Angelica and Gianni Schicchi.

“The time was right for us to take this on, “OPT founder and executive director Andrea Anelli told us by telephone. “We had a successful production of Il tabarro, and we wanted to finish The Triptych as well as to stage productions that involved a larger cast, and part of my goal is to provide other opportunities for area artists. Then of course there is my personal love of Puccini.”

Suor Angelica and Gianni Schicchi are co-productions with Cleveland Public Theatre (CPT) and Anelli says that being invited to become CPT’s resident opera company has made it possible for her company to produce larger-scale works. [Read more…]

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VOCES8’s Oberlin debut: a delightful 20th anniversary program (Oct. 28)

by Stephanie Manning

VOCES8’s 20th anniversary called for plenty of celebration and plenty of humor.

When the British a cappella group visited the Oberlin Artist Recital Series on October 28, they brought a program of audience favorites that delighted the sold-out crowd in Finney Chapel. Known for their ethereal voices and crystal clear harmonies, the octet demonstrated all that and more as they bridged the sacred and secular in “Songs From 20 Years.”

This two-decade milestone gave good reason to celebrate not only the singers, but also their longtime arranger-in-residence, Jim Clements. Responsible for some of the group’s most requested pieces, Clements is like “the secret burger sauce in the Big Mac,” joked tenor Blake Morgan.

[Read on…]

Guitarist Leonela Alejandro makes engaging Cleveland debut at CCGS (Oct. 25)

by Stephanie Manning

When an artist is on tour for months at a time, it can be hard not to feel homesick. Leonela Alejandro knows that experience well. Her current cross-country tour — celebrating her win at the 2024 Guitar Foundation of America International Concert Artist Competition — began in September and continues through next May.

That’s a lot of time away from Puerto Rico, where the 25-year-old guitarist grew up and began her musical education. So, as she explained to the audience at the Maltz Performing Arts Center on October 25, her Cleveland program brought a little bit of her home country with her. Presented by the Cleveland Classical Guitar Society, Alejandro’s local debut brought out her most engaging abilities as a performer, making the case that she is a young artist to watch. [Read on…]

No Exit opens season with “American Descent” at Praxis Fiber Workshop (Oct. 25)

by Mike Telin

There was not an open seat to be had at Praxis Fiber Workshop on Saturday, October 25 when the adventurous new music ensemble No Exit began their 17th season with a program of four thoroughly engaging works.

As a prelude to the program, James Rhodes presented two movements from Garth Knox’s Viola Spaces, a collection of eight etudes each of which focus on an extended technique.

No. 2, “Ghosts,” examines the technique of sul tasto — on the fingerboard. Beginning with a pitchless bowing on the strings, Rhodes brilliantly produced spooky, breathy, brushing sounds. In No. 6, “Harmonic Horizons,” Rhodes took listeners on a tour of the instrument’s harmonic series. Here he produced an interesting mix of straight-tones, double-stops, trills, and slides in every register of the viola.

[Read on…]

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