A white picket fence, a suburban home interior, a blue sky dotted with puffy clouds — and six opera singers, each decked out in a distinct color ranging from deep purple to highlighter orange: such were the sights onstage on the opening night of Baldwin Wallace Conservatory’s production of Domenico Cimarosa’s Il Matrimonio Segreto last week. The show’s bright imagery — Pixar meets Japanese anime, inside a dollhouse — complemented the vibrant acting and spirited singing of the student performers.
British director Peter Brook’s re-imagining of George Bizet’s ever-popular opera Carmen caused a stir when it debuted in New York in 1981. Pared down to 85 minutes in length and divested of choruses and much of its connective music, it rankled die-hard opera fans and critics. But as director Victoria Bussert and Baldwin Wallace Opera proved on opening night, Thursday, February 25, The Tragedy of Carmen can be a stunning piece of theater in its own right. [Read more…]