Renée Richardson Archives - Cleveland Classical

CIM Opera: Mozart’s Così fan tutte plays out in another Naples (Mar. 2)

March 7, 2017 by Daniel Hathaway

by Daniel Hathaway

Jettisoning powdered wigs in favor of Bermuda shorts and golf clubs, CIM Opera Theater director David Bamberger moved the action in Mozart’s Così fan tutte from 18th-century Naples (Italy) to 1970s Naples (Florida) last Thursday evening in Kulas Hall. That update worked nicely, although Fiordiligi and Dorabella aren’t names you’d be likely to hear on a Gulf Coast beach. [Read more…]

CIM Opera Theatre to produce Puccini/Menotti double bill

November 8, 2016 by Mike Telin

by Mike Telin

Stories of two women will take center stage this week when the Cleveland Institute of Music Opera Theatre, David Bamberger, director, presents the double bill of Giacomo Puccini’s Suor Angelica and Gian Carlo Menotti’s Amelia al ballo. The first recounts the tragic tale of a young girl who is sent to the convent for disgracing her family after giving birth to an illegitimate son. The second finds a wealthy socialite who will stop at nothing in order to attend the ball.

Harry Davidson will conduct the student cast and the CIM Orchestra in performances beginning on Wednesday, November 9 at 7:30 pm in Kulas Hall. The production continues through Saturday with 7:30 pm curtains on November 10, 11, and 12. [Read more…]

Pianist Yuja Wang creates magic with The Cleveland Orchestra (Nov. 28)

by Stephanie Manning

This article was originally published on Cleveland.com

CLEVELAND, Ohio – Thanksgiving weekend concerts by The Cleveland Orchestra often center around a big-ticket soloist or a popular piece.

This year’s program offers both, thanks to star pianist Yuja Wang and Maurice Ravel’s brilliant orchestration of Modest Mussorgsky’s “Pictures at an Exhibition.”

On Friday November 28, the snow cleared just in time for the crowds to arrive at Severance Music Center for the evening event. Led by conductor Petr Popelka, the resulting concert equally displayed the prowess of Orchestra and soloist over the course of three fascinating works.

György Ligeti’s Piano Concerto stood out in contrast to the lush textures and easy-to-follow melodies of the works that surrounded it. Premiered in 1988, its dissonant and avant-garde music might have come from another world. But both Wang and the Orchestra rose to meet the challenge of its devilishly tricky rhythms with an assured confidence.

[Read on…]

Les Arts Florissants make Vivaldi’s Four Seasons feel fresh and inspired (Nov. 18)

by Stephanie Manning

Performing a work as ubiquitous as Antonio Vivaldi’s The Four Seasons requires a delicate balance. At its best, the musicality and intention must be crystal clear, so that the end result feels as fresh as it does familiar. It’s a high bar, but one that Les Arts Florissants cleared with the utmost ease.

On November 18, the renowned French baroque ensemble visited Tuesday Musical to celebrate the 300th anniversary of Vivaldi’s famous quartet of violin concertos. Soloist Théotime Langlois de Swarte led the spirited group in the Vivaldi-focused program, which also included works by Marco Uccellini and Claudio Monteverdi. [Read on…]

BlueWater Chamber Orchestra with violinist David McCarroll in Rocky River (Nov. 23)

by Daniel Hathaway

Let’s cut to the chase and simply say that it would be difficult to imagine a more perfect and moving performance of Beethoven’s Violin Concerto than the one David McCarroll gave with Daniel Meyer and BlueWater Chamber Orchestra on Sunday afternoon, November 23 at Rocky River Presbyterian Church. We’ll come back to that thought.

The straight-through performance preceded the Beethoven with works by Cleveland composer Margaret Brouwer and a youngish Aaron Copland.

Brouwer’s engaging and popular The Art of Sailing at Dawn evokes memories of growing up on the Great Lakes. A flute conjures sonic images of gulls, and subtle waves support a lovely oboe solo before the wind kicks up and dark clouds assemble. A storm erupts, but soon passes, leading to a quiet ending. [Read on…]

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