by Mike Telin
It is often impossible to say why a work of art captivates you to the point of becoming an obsession. Such is the case for composer Ricardo Zohn-Muldoon and Juan Rulfo’s novel Pedro Páramo. In his program notes for his scenic cantata Comala, Zohn-Muldoon writes: “To explain why Pedro Páramo moves me so deeply is beyond my capabilities as an essayist.”
On Friday, October 18 at 7:30 pm in the Cleveland Museum of Art’s Gartner Auditorium, the Zohn Collective will present “Portals,” which pairs Comala with the world premiere of Daniel Pesca’s Nocturnes, a setting of four poems by Irving Feldman. Conducted by Timothy Weiss, performers include soprano Tony Arnold and tenor Zach Finkelstein, with La Coperacha Puppet Company. The performance is part of CMA’s Performing Arts Series. Tickets are available online.
“This is a piece I’ve been composing on and off for all of my adult life,” Zohn-Muldoon said of Comala during a telephone interview. “Every time it gets performed I add a new theme — I just finished one that will be premiered on this occasion — so now it’s gotten very large.”
Comala was premiered by The Furious Band at the Festival Música y Escena in México City in 2001. [Read more…]
The alluring, accessible, and wildly creative music of Ricardo Zohn-Muldoon is the focus of last month’s release from the Oberlin Music label, 
Each summer since 2005, the composition and performance exchange