by Daniel Hathaway
On Friday, August 2 as part of the Summers@Severance Series, guest conductor Matthew Halls will lead The Cleveland Orchestra, soloists, and the Blossom Festival Chorus in Mozart’s “Great” Mass in c-minor.
In the United States, where the subscription concert format is the norm, single performances of major works are rare. But in a telephone conversation from Toronto, where he lives with his family for part of each season (his wife plays in the Toronto Symphony), Halls said he rather likes one-off events.
“The subscription series is lovely, especially if you’re a young conductor who’s learning a piece for the first time. It gives you the possibility to solidify your ideas over three or four nights. But there’s also a special energy in a one-off, the most common format in Europe, because it means that you only have one chance. All of the intensity of a week-long rehearsal period is focused on that single moment, and there’s no sense that you can always get it right tomorrow night.” [Read more…]
Those who thought they knew the Beethoven cello sonatas probably had to think again after last Tuesday’s recital by Steven Isserlis and Robert Levin on the Cleveland Chamber Music Society series at Plymouth Church in Shaker Heights. Over the last decade, the two performers have turned these pieces inside out and explored every crevice in their musical narrative. Heard in a performance like that on Tuesday evening, the results of that joint inquiry are a revelation. 
When British-born cellist Steven Isserlis and American fortepianist Robert Levin present their all-Beethoven program on the Cleveland Chamber Music Society series at Plymouth Church on Tuesday evening, March 10, the audience will come as close as humanly possible to hearing the three sonatas and a variation set as Beethoven conceived them. Isserlis will play a period cello with gut strings, and Levin will perform on a Wilhelm Leschen instrument built in Vienna in 1825.