Safaafir Archives - Cleveland Classical

Safaafir with Hamid Al-Saadi: Iraqi music at CMA (January 29)

February 11, 2020 by Nicholas Stevens

by Nicholas Stevens

When UNESCO made its first list of the Intangible Cultural Heritage of Humanity in 2008, it welcomed Kabuki theatre, Sardinian folksong, and dozens of other media into a globe-spanning canon. These, the committee declared, stood out among the untold multitudes of human creative practices. Among them ranked the Iraqi maqam, in which poetry, chamber music, and lighter songs flow into extended, semi-improvised performances. As the ensemble Safaafir and singer Hamid Al-Saadi recently proved to Northeast Ohioans, the centuries-old coffeehouse art form still holds the power to thrill. [Read more…]

CMA: “Journey to the Heart of the Iraqi Maqam”

January 21, 2020 by Jarrett Hoffman

by Jarrett Hoffman

Amir ElSaffar has had the type of musical career that you can imagine laid out as a board game: a winding path with important points along the way where he’s taken on new instruments, absorbed new genres, and crossed the globe to research musical practices more deeply.

He began as a classical trumpeter growing up in Chicago, the son of an Iraqi immigrant father and an American mother. And he has since found his way to jazz, Arabic music, composition, and Iraqi maqam, a centuries-old tradition of highly structured, semi-improvised compositions sung to Classical Arabic and colloquial Iraqi poetry.

The foremost purveyor of that tradition is Hamid Al-Saadi, who will join ElSaffar and the group Safaafir for “Journey to the Heart of the Iraqi Maqam” in Gartner Auditorium at the Cleveland Museum of Art on Wednesday, January 29 at 7:30 pm as part of the Museum’s Performing Arts Series. Tickets are available online.

[Read more…]

VOCES8’s Oberlin debut: a delightful 20th anniversary program (Oct. 28)

by Stephanie Manning

VOCES8’s 20th anniversary called for plenty of celebration and plenty of humor.

When the British a cappella group visited the Oberlin Artist Recital Series on October 28, they brought a program of audience favorites that delighted the sold-out crowd in Finney Chapel. Known for their ethereal voices and crystal clear harmonies, the octet demonstrated all that and more as they bridged the sacred and secular in “Songs From 20 Years.”

This two-decade milestone gave good reason to celebrate not only the singers, but also their longtime arranger-in-residence, Jim Clements. Responsible for some of the group’s most requested pieces, Clements is like “the secret burger sauce in the Big Mac,” joked tenor Blake Morgan.

[Read on…]

Guitarist Leonela Alejandro makes engaging Cleveland debut at CCGS (Oct. 25)

by Stephanie Manning

When an artist is on tour for months at a time, it can be hard not to feel homesick. Leonela Alejandro knows that experience well. Her current cross-country tour — celebrating her win at the 2024 Guitar Foundation of America International Concert Artist Competition — began in September and continues through next May.

That’s a lot of time away from Puerto Rico, where the 25-year-old guitarist grew up and began her musical education. So, as she explained to the audience at the Maltz Performing Arts Center on October 25, her Cleveland program brought a little bit of her home country with her. Presented by the Cleveland Classical Guitar Society, Alejandro’s local debut brought out her most engaging abilities as a performer, making the case that she is a young artist to watch. [Read on…]

No Exit opens season with “American Descent” at Praxis Fiber Workshop (Oct. 25)

by Mike Telin

There was not an open seat to be had at Praxis Fiber Workshop on Saturday, October 25 when the adventurous new music ensemble No Exit began their 17th season with a program of four thoroughly engaging works.

As a prelude to the program, James Rhodes presented two movements from Garth Knox’s Viola Spaces, a collection of eight etudes each of which focus on an extended technique.

No. 2, “Ghosts,” examines the technique of sul tasto — on the fingerboard. Beginning with a pitchless bowing on the strings, Rhodes brilliantly produced spooky, breathy, brushing sounds. In No. 6, “Harmonic Horizons,” Rhodes took listeners on a tour of the instrument’s harmonic series. Here he produced an interesting mix of straight-tones, double-stops, trills, and slides in every register of the viola.

[Read on…]

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