by Daniel Hathaway
An elemental legend set to music by an imaginative composer, and performed by an exacting conductor, a first-class orchestra, a responsive, adaptable chorus, and four veteran soloists made The Cleveland Orchestra’s performance of Hector Berlioz’s La Damnation de Faust on Thursday evening, May 7 an unforgettable experience. May the houses for the two remaining concerts on Saturday evening and Sunday afternoon be packed to the rafters — a concert this gripping happens only once in a great while. [Read more…]
The legend of Dr. Faust — the world-weary scholar who makes a deal with the Devil to gain superhuman knowledge and powers — has fascinated writers since Christopher Marlowe made the story into a famous play in 1604. The tale became a rich source of inspiration to German composers as well, after Johann Wolfgang von Goethe published the first part of his own enormous play, Faust, in 1808. Those composers included Liszt and Mahler, who based symphonic movements on Goethe’s final chorus, and Robert Schumann, who created his full-length oratorio Scenes from Goethe’s ‘Faust’ over a period of years.