by Tom Wachunas
One way to appreciate the program selections for the January 27 concert by the Canton Symphony Orchestra titled “German Genius,” is as a thrilling homage to the Austro-German tradition of classical music. While the program certainly wasn’t a comprehensive survey, it was nonetheless an astute, two-point perspective on that tradition, spanning nearly 200d years, from the Baroque-era seeds that took root and blossomed in the marvelous compositions of J.S. Bach, to the monumental, verdant pinnacles articulated by Gustav Mahler in the early 20th century. [Read more…]