Stephen Bard Archives - Cleveland Classical

Les Délices: “The Musketeers” at the Bop Stop (October 25)

October 26, 2014 by Daniel Hathaway

by Daniel Hathaway

There were no horses in the parade, but the procession that brought the musicians of Les Délices onstage at the Bop Stop Saturday evening hinted at the military origins of the stirring French baroque music to come. [Read more…]

Les Délices to revive Louis XIV’s oboe bands in concerts this weekend

October 21, 2014 by Daniel Hathaway

by Mike Telin

Over the past five seasons, the Cleveland-based baroque ensemble Les Délices has often treated audiences to concerts that highlight the refined music from the Royal Court of King Louis XIV. This weekend the ensemble presents two concerts that feature another side of the music from that court with “The Musketeers,” a colorful program featuring baroque oboes, bassoon, baroque guitar, theorbo, and percussion inspired by Louis XIV’s oboe band, Les Mousquetaire.

On Saturday, October 25 at 8:00 pm at The Bop Stop and on Sunday, October 26 at 4:00 pm in the Herr Chapel at Plymouth Church, Les Délices artist director Debra Nagy will be joined by her baroque oboe colleagues Stephen Bard and Kathryn Montoya, baroque bassoonist Anna Marsh, percussionist Michelle Humphreys, and guitarist and theorboist, Simon Martyn-Ellis, in performances of music by Lully, Hotteterre, Philidor and others. [Read more…]

Pianist Yuja Wang creates magic with The Cleveland Orchestra (Nov. 28)

by Stephanie Manning

This article was originally published on Cleveland.com

CLEVELAND, Ohio – Thanksgiving weekend concerts by The Cleveland Orchestra often center around a big-ticket soloist or a popular piece.

This year’s program offers both, thanks to star pianist Yuja Wang and Maurice Ravel’s brilliant orchestration of Modest Mussorgsky’s “Pictures at an Exhibition.”

On Friday November 28, the snow cleared just in time for the crowds to arrive at Severance Music Center for the evening event. Led by conductor Petr Popelka, the resulting concert equally displayed the prowess of Orchestra and soloist over the course of three fascinating works.

György Ligeti’s Piano Concerto stood out in contrast to the lush textures and easy-to-follow melodies of the works that surrounded it. Premiered in 1988, its dissonant and avant-garde music might have come from another world. But both Wang and the Orchestra rose to meet the challenge of its devilishly tricky rhythms with an assured confidence.

[Read on…]

Les Arts Florissants make Vivaldi’s Four Seasons feel fresh and inspired (Nov. 18)

by Stephanie Manning

Performing a work as ubiquitous as Antonio Vivaldi’s The Four Seasons requires a delicate balance. At its best, the musicality and intention must be crystal clear, so that the end result feels as fresh as it does familiar. It’s a high bar, but one that Les Arts Florissants cleared with the utmost ease.

On November 18, the renowned French baroque ensemble visited Tuesday Musical to celebrate the 300th anniversary of Vivaldi’s famous quartet of violin concertos. Soloist Théotime Langlois de Swarte led the spirited group in the Vivaldi-focused program, which also included works by Marco Uccellini and Claudio Monteverdi. [Read on…]

BlueWater Chamber Orchestra with violinist David McCarroll in Rocky River (Nov. 23)

by Daniel Hathaway

Let’s cut to the chase and simply say that it would be difficult to imagine a more perfect and moving performance of Beethoven’s Violin Concerto than the one David McCarroll gave with Daniel Meyer and BlueWater Chamber Orchestra on Sunday afternoon, November 23 at Rocky River Presbyterian Church. We’ll come back to that thought.

The straight-through performance preceded the Beethoven with works by Cleveland composer Margaret Brouwer and a youngish Aaron Copland.

Brouwer’s engaging and popular The Art of Sailing at Dawn evokes memories of growing up on the Great Lakes. A flute conjures sonic images of gulls, and subtle waves support a lovely oboe solo before the wind kicks up and dark clouds assemble. A storm erupts, but soon passes, leading to a quiet ending. [Read on…]

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