by Kevin McLaughlin
Pianist Utsav Lal’s solo concert at the Lorraine and Bill Dodero Center for the Performing Arts in Gates Mills on Tuesday evening July 22 offered “Indian classical music reimagined for the Western grand piano.” The experience was a gradual one: you became aware of a rare sensual and spiritual atmosphere — and then, if you allowed it to, a gently meditative state overtook you.
One of Indian classical music’s defining traits is the irregularity of intervals and pitches — something you might hear from a sitarist or a vocalist — yielding a broader expressive palette. To fully appreciate Lal’s work, one had to set that convention aside and receive his Western reinterpretation on its own terms.
When Utsav Lal first received a performance offer from Piano Cleveland, he was pleasantly surprised. “ I know the bulk of their work involves pretty straight-ahead classical piano and the Competition,” he said in a recent interview. “I do things a little differently, so it’s nice that they’re interested in what I’ve been working on.”
As the hosts of the Cleveland International Piano Competition, Piano Cleveland spends plenty of time promoting traditional classical repertoire. But their other programming, like the summer festival Piano Days, focus on celebrating the instrument in all its forms.