by Mike Telin
“England is one of our rather frequent places to visit. In part it has to do with the richness of the sound that the repertory offers,” Oberlin Collegium director Steven Plank told us during a recent telephone conversation. “Almost everything that we are singing on this program is very richly scored so it suits the ensemble well. It’s also the kind of music that revels in glorious sound and the combination of those two things make it rather inviting.”
On Friday, May 2 and Saturday, May 3 in Fairchild Chapel, the Collegium Musicum Oberliniensis under the direction of Steven Plank presents Musica Britannica. Performances feature Gibbons’s O Clap Your Hands, Browne’s O Maria Salvatoris, Byrd’s Ave verum corpus, O salutaris hostia and Sacerdotes Domini, Tye’s Missa euge bone, Sheppard’s Salvator mundi, Domine and Libera nos and Paul Mealor’s Ubi Caritas. An abbreviated version of the concert will be presented on Wednesday, May 7 at 12:10 noon as part of Trinity Cathedral’s Brownbag Concert Series. [Read more…]
Inspired by one of the 18th century’s most famous tenors, Pierre Jélyotte, Les Délices’s new program The Leading Man includes operatic excerpts of musical heroism, absurdist comedy, and ravishing beautythat were central to Jélyotte’s repertoire. In her program notes, Les Délices’s founder and director Debra Nagy writes: “Jelyotte appears to have cultivated nothing but admirers. [His] contemporaries remarked on his range, volume, and the velveteen beauty of his tone. … He had only to sing, and those who listened were intoxicated. All the women went mad.”
Composed in Vienna in 1791, Mozart’s Requiem Mass in D minor, K. 626 was left unfinished by the composer at the time of his death. Although mystery surrounds the work (who was the mysterious messenger who ordered Mozart to compose a requiem?), the Mass has become one of Mozart’s most beloved works.
Describing this season’s final concert by the Canton Symphony Orchestra at Umstattd Performing Arts Hall on April 26 brings to mind a bevy of feel-good bromides. Still, none would be more apropos than “out of this world.”
This week at Severance Hall conductor David Robertson will lead The Cleveland Orchestra and Cleveland Orchestra Chorus in four performances of Mozart’s beloved Requiem with guest soloists Jessica Rivera, soprano, Elizabeth DeShong, mezzo-soprano, Garrett Sorenson, tenor and John Relyea, bass-baritone.
Soon after arriving at the Dana School of Music at Youngstown State University, composers Robert and Gwyneth Rollin founded the Dana New Music Society and the New Music Festival. This week, the Festival celebrates its thirtieth anniversary with a series of performances and premieres on Wednesday, April 30 and Thursday, May 1.
“As a child, I loved classic fairy tales as collected and told by the Brothers Grimm, Hans Christian Andersen, and others,” American composer Gabriela Lena Frank writes about her new work, Will-o’-the-Wisp: Tone Poem for Piccolo and Orchestra. “As a composer, I’ve often enjoyed using some my childish and fancifully personalized re-interpretations of myths to inspire pieces, with varying degrees of overt Latin American musical (especially indigenous Indian) influences. [And this] is one such piece.” On Thursday, May 1 beginning at 7:30 pm in Severance Hall, Cleveland Orchestra Principal Piccolo Mary Kay Fink performs the world premiere of Frank’s new concerto under the direction of David Robertson.
This weekend Apollo’s Fire, directed by Jeannette Sorrell, gave four performances of their latest program, The Power of Love: Passions of Handel and Vivaldi. The featured soloist was the brilliant young soprano Amanda Forsythe. I heard the Friday night concert at St. Paul’s Episcopal Church in Cleveland Heights, with its newly renovated acoustics which livened up the sound considerably. The music was mostly Handel and Vivaldi, but Jean-Philippe Rameau made a couple of cameo appearances as well.
Today, we complete our preview of eighth blackbird’s repertory for the ensemble’s program next Tuesday, April 29 at 7:30 in Waetjen Auditorium at Cleveland State University. Spokesman and flutist Tim Munro shares his personal reflections about pieces eighth blackbird will perform composed by Richard Parry, Brett Dean, and Steven Mackey.