by Daniel Hathaway

The Festival put a special mark on the occasion by fielding two of its largest ensembles for the opening and closing works, and by presenting the Cleveland premiere of a riveting work by one of CFC’s four composer-performers in between.
Pianists Michael Stephen Brown and Roman Rabinovich shared thousands of notes as soloists in Johann Sebastian Bach’s Concerto in C for two claviers, a product of the composer’s concerts in Zimmermann’s Leipzig Coffee House, when he increasingly turned his attention away from church duties and produced concerts with University musicians. The C-major concerto is apparently unique for not having been arranged from an earlier work. [Read more…]



Northern Ireland-born guitarist Alan Mearns, now based in North Carolina, gave the first of three very different recitals I heard at the Cleveland International Classical Guitar Festival. He performed on Saturday afternoon, June 7 in Mixon Hall at the Cleveland Institute of Music.






