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The Cleveland Orchestra presents Claude Vivier’s Lonely Child: a conversation with Aphrodite Patoulidou

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by Mike Telin

Canadian composer Claude Vivier was born in 1948 in Montreal. That same day he was placed in an orphanage by his mother where he would live until age two and a half, when he was adopted by the Vivier family. The composer spent his entire life in hopes of finding his birth parents — but to no avail. His ongoing search for his identity inspired many of his compositions including his 1980 work for soprano and orchestra, Lonely Child.

On Thursday, November 9 at 7:30 pm, soprano Aphrodite Patoulidou will sing Vivier’s haunting work with The Cleveland Orchestra. The Severance Music Center program, under the direction of Barbara Hannigan, also includes Joseph Haydn’s Symphony No. 44 (“Trauersinfonie”) and Richard Strauss’s Death and Transfiguration. The program will be repeated on Friday at 11:00 (no Vivier) and Saturday at 8:00. Tickets are available online.

Born in Thessaloniki, Greece, Aphrodite Patoulidou exemplifies the 21st-century creative. Now based in Berlin, the soprano is also a songwriter, photographer, painter, and poet. She was also the lead singer with the heavy metal band Igorrr.

[Read more…]

Cleveland Orchestra Youth Orchestra: a new season of discoveries

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by Mike Telin

A challenge in programming for a young orchestra as talented as the Cleveland Orchestra Youth Orchestra is choosing repertoire that teaches them how to be a better 21st century ensemble while also being enjoyable to play.

On Sunday, November 12 at 3:00 pm at Severance Music Center, Daniel Reith will lead the Cleveland Orchestra Youth Orchestra in two well-known works, and two of Reith’s recent discoveries. Tickets are available online.

The concert will open with Johannes Brahms’ Academic Festival Overture. The work was written as a tribute to the University of Breslau, which had awarded him an honorary doctorate in philosophy. And like all good students, Reith said he was happy that the young musicians of  COYO are such a curious group.

“Telling them about the origins of the piece really caught their attention,” the conductor said during a Skype conversation. “ I thought it would be fun to do a piece that contains themes of famous student songs of Brahms’ time. And explaining the background to the song about a little fox who is annoying his parents by his curiosity, really fascinated them.”

The afternoon will continue with María Huld Markan Sigfúsdóttir’s Oceans, a work Reith said he discovered through lucky coincidence. “I was searching for pieces on the topic of water for one of our educational concerts last season. Sadly it didn’t fit that program, but it was a wonderful discovery that I thought would be a great piece for COYO.”

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Stewart Goodyear to make Cleveland debut at CIM

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by Mike Telin

“This will be my first time in Cleveland,” Canadian pianist and composer Stewart Goodyear said by phone from Toronto, where he serves as Artist in Residence at the Royal Conservatory. “Toronto is so close, I don’t know why it took me so long, but I am excited about my visit.”

Goodyear will make his Cleveland debut on Wednesday, November 8 at 7:30 pm in Cleveland Institute of Music’s Mixon Hall. The program will include works by J.S. Bach, Beethoven, Clara Schumann, and Goodyear himself. The concert is part of CIM’s Perspective Series. The event is free but reservations are required.

How did this debut come about? “I just received a call from the Cleveland Institute of Music asking me if I would be interested in doing a mini residency that would be a combination of lessons, a lecture, and a recital.”

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Rocky River Chamber Music Society: a conversation with cellist Keith Robinson

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by Mike Telin

While it is common to discover that a trio of musicians all attended the same conservatory or university, it is not so common to discover that the trio all attended the same high school. “Hyunsoon and I were in high school together at the North Carolina School of the Arts,” cellist Keith Robinson said during a recent phone call. “In fact, Dan went there too.”

On Monday, November 6 at 7:30 pm at West Shore Unitarian Universalist Church, Robinson will be joined by pianist Hyunsoon Whang and clarinetist Daniel McKelway in a concert that includes Samuel Barber’s Cello Sonata in c, Sergei Prokofiev’s Cello Sonata in C, and Johannes Brahms’ Intermezzo in A, Op. 118, No. 2 as well as his Clarinet Trio. The free concert is part of the Rocky River Chamber Music Society series. Click here for the livestream.

Robinson, who is a founding member of the Miami String Quartet, noted that Monday’s concert will be his debut performance of the Prokofiev Sonata. “Hyunsoon and I have played the Barber and Rachmaninoff sonatas together and we were thinking about doing the same. Then we said, ‘Wait, let’s learn a new piece’ — it just makes it interesting for us.”

The cellist said that he has found the Prokofiev to be “really enchanting,” and that it complements Barber quite well. “They’re pretty close in age — Barber wrote his in 1932 and Prokofiev was in the late ‘40s. The Barber is dark and brooding, and the Prokofiev can be pretty funny at times. You can tell the Barber is heavily influenced by Brahms, and because it’s in the key of c-minor, it is dark.”

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Dana Jessen receives Cleveland Arts Prize

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by Mike Telin

Tonight, October 26, the Cleveland Arts Prize will hold its 63rd annual awards ceremony at the Cleveland Museum of Art. The CAP promotes creativity in Northeast Ohio by honoring artists for artistic excellence and recognizing community leaders who help arts flourish in the region.

Among the list of distinguished recipients is Dana Jessen, who will receive a mid-career artist prize for music. Jessen is a trailblazer in the world of new and improvised music. Hailed as a “bassoon virtuoso” (Chicago Reader), she is the recipient of a Fulbright Fellowship and a Huygens Fellowship. In addition to her active solo career, her resume includes world premiere performances with the San Francisco Contemporary Music Players, Alarm Will Sound, Ensemble Dal Niente, Anthony Braxton’s Tri-Centric Orchestra, S.E.M. Ensemble, and the Amsterdam Contemporary Ensemble. As an educator she serves as Associate Professor of Contemporary Music and Improvisation at the Oberlin Conservatory of Music.

I caught up with Dana Jessen by phone and began our conversation by congratulating her.

Dana Jessen: Thank you. I am incredibly honored. I was telling somebody that it felt like the Cleveland Arts Prize was actually looking at all of the things that I do. It’s not just that I’m a bassoonist, but that I also write my own pieces, I play with electronics, and I improvise. I also interpret pieces that I’ve commissioned. And I teach. So it’s very humbling to be seen for the entirety of what I do as opposed to one thing or the other.

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Andrew Sords plays Vivaldi with Snowbelt Symphony

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by Mike Telin

It is easy to assume that a violin concerto by Antonio Vivaldi was written during his tenure at the Ospedale della Pietà in Venice, however, that’s not always the case. In fact, the origins of a few of his concertos for the instrument have and continue to baffle musicologists. One example is the Violin Concerto in e, RV 278 which is not part of any collection published during the composer’s lifetime.

On Sunday October 22 at 4:00 pm at the New Promise Church in Kirtland, Andrew Sords will perform that concerto with the Snowbelt Symphony under the direction of Greg Hillis. The program, Brilliant Baroque, will also include music by J.S. Bach, Handel, and Boyce. Tickets are available online.

“Not a lot is known about the concerto,” Sords said during a telephone conversation. [Read more…]

CUSP to host Jaap Blonk

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by Mike Telin

The self-taught Dutch composer, vocalist, poet, and visual artist Jaap Blonk will present a unique program on the Cleveland Uncommon Sound Project series at Convivium 33 Gallery on Friday, October 20 at 8pm.

I reached the sound poet by Skype at his home in Arnhem, Netherlands and began by asking him what the audience can expect to hear on Friday.

Jaap Blonk: I’ll do two sets. The first will be me interpreting some poetry from the history of Dada. And the second will be my own work for voice with some electronics. [Read more…]

Cleveland Chamber Choir: Considering Matthew Shepard

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by Mike Telin

Statement from President Joe Biden on the 25th Anniversary of the Tragic Death of Matthew Shepard:

October 12, 2023

Twenty-five years ago today, Matthew Shepard lost his life to a brutal act of hate and violence that shocked our nation and the world. The week prior, Matthew had been viciously attacked in a horrific anti-gay hate crime and left to die – simply for being himself.

Matthew’s tragic and senseless murder shook the conscience of the American people. And his courageous parents, Judy and Dennis Shepard, turned Matthew’s memory into a movement, galvanizing millions of people to combat the scourge of anti-LGBTQI+ hate and violence in America.

On October 6, 1998 Matthew Shepard, a gay student at the University of Wyoming, accepted a ride home from two men at the Fireside Lounge in Laramie. Instead, Shepard was driven to a remote area where he was pistol-whipped, tortured, tied to a fence, and left for dead. Shepard died six days later from brain damage.

Shepard’s murder would later become the inspiration for Craig Hella Johnson’s fusion oratorio Considering Matthew Shepard.

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The Cleveland Orchestra Chorus welcomes Eric Whitacre

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by Mike Telin

“What if our departed loved ones are not truly gone, but are closer than we think? How can we mourn those we have lost while still moving forward? We have all experienced the loss, in one way or another, of someone or something we have loved deeply. How do we know when it’s time to move forward?”

-Charles Anthony Silvestri

Written in 2018, The Sacred Veil — with music by Eric Whitacre (pictured left) and text by Charles Anthony Silvestri — tells a story of love, loss, and grief. Silvestri’s wife, Julie, died of ovarian cancer at age 36 in 2005, leaving behind two young children. “It’s an extensive, twelve-movement work that is just beautiful,” Lisa Wong, The Cleveland Orchestra’s Director of Choruses, said during a telephone conversation.

On Friday, October 20 at 7:30 pm at Severance Music Center, Whitacre will lead the 140-member Cleveland Orchestra Chorus and 14 singers from the College of Wooster in The Sacred Veil for SATB choir, solo cello, and piano — his most recent collaboration with Silvestri. The concert also includes Reena Esmail’s When the Violin for chorus and cello, based on a 14th-century text by Persian poet Hafiz, conducted by Wong. Tickets are available online. [Read more…]

Renée Fleming and friends join in special Severance concert

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by Mike Telin

On Sunday, October 15 at 7:00 pm, the celebrated soprano Renée Fleming will host a gathering of friends in a Severance Music Center concert featuring the late André Previn’s unfinished — but now completed — final work. Penelope celebrates Homer’s heroine in The Odyssey, who faithfully waited 20 years for her husband, Odysseus, to return from the Trojan War while fending off more than a hundred suitors.

She’ll be joined by actress Merle Dandridge (The Last of Us), the Emerson String Quartet — Eugene Drucker and Philip Setzer (violins), Lawrence Dutton (viola), and Paul Watkins (cello) —  and pianist Simone Dinnerstein. In addition to Penelope, musical selections include Philip Glass’s Etude No. 6 and Beethoven’s String Quartet No. 14. Tickets are available online.

Although the score was left unfinished at the time of Previn’s death on February 28, 2019, it was completed by David Fetherolf, Previn’s longtime editor. The monodrama received its world premiere at Tanglewood on July 24, 2019.

Fleming graciously agreed to answer questions by email.

Mike Telin: Who originally had the idea for this project?

Renée Fleming: The Emerson Quartet and I shared a friendship with André Previn. (André had composed the opera of A Streetcar Named Desire, which I premiered, as well as some concert works and song cycles.) We decided to try to commission him to compose something for us. I knew that one of André’s good friends was playwright Tom Stoppard, of whom I am also a great fan. I thought, ‘Well you never know, why not ask them?’ It turned out that they both liked the idea, and they had already discussed writing something for my voice. I believe it was Tom who suggested Penelope, the classical heroine, as a subject.

[Read more…]

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