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Conductor Brett Mitchell returns to Blossom Music Center

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by Mike Telin

“To say that once again being asked to conduct The Cleveland Orchestra at Blossom is an honor would be a gross understatement,” Brett Mitchell said during a telephone interview. “I am not often at a loss for words, but there really aren’t any to describe how much it means to me.”

On Saturday, July 6 at 7:00 pm Mitchell will return to the Blossom podium to lead The Orchestra in Leonard Bernstein’s Three Dance Episodes from On the Town, William Grant Still’s Symphony No. 1, “Afro-American,” and Samuel Barber’s Overture to The School for Scandal. The program also includes George Gershwin’s Rhapsody in Blue in Béla Fleck’s transcription for banjo and orchestra with Fleck as soloist. Tickets are available online.

Mitchell said he loves Rhapsody in Blue. But when the Orchestra told him that they didn’t want the symphonic version that is often played by orchestras he thought they might be considering the original Paul Whiteman jazz band version. “It turned out that what they wanted was Béla Fleck’s transcription where he plays the piano part on the banjo.”

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Classically Lake View chamber series celebrates Justin Holland — Cleveland’s forgotten composer

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by Mike Telin

Set on 285 acres on Cleveland’s East Side, Lake View Cemetery’s wonderful landscapes, beautiful gardens, and artful monuments make it a serene final resting place as well as a tranquil retreat for the living to reconnect with nature.

On Sunday, July 7 at 3:00 pm in the Community Mausoleum, the recently created Classically Lake View chamber music series will present “Cleveland’s Forgotten Composer, Guitar Hero, and Abolitionist, Justin Holland.”

Under the artistic direction of Cleveland Orchestra violinist Isabel Trautwein, the program spans over 280 years of chamber music by Black composers, including Joseph Bologne, Justin Holland, Scott Joplin, Florence Price, William Grant Still, George Walker, and Thomas Flippin. Performers include guitarist Damian Goggans, violinists Liyuan Xie and Isabel Trautwein, violist Eliesha Nelson, and cellist Tanya Ell. The emcee will be Jennifer Coleman, Program Director for Creative Culture and Arts at the Gund Foundation. Tickets are available online.

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At last, Jason Vieaux to make ChamberFest Cleveland debut

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by Mike Telin

This week guitarist Jason Vieaux will make his long-awaited ChamberFest Cleveland debut, appearing in three separate concerts. “We’ve tried for many years, but it always conflicted with other dates that I already had on my calendar. So it’s really great that we can finally do something together.”

On Wednesday, June 26 at 7:30 pm in Mixon Hall at the Cleveland Institute of  Music, Vieaux will play Luigi Boccherini’s Guitar Quintet No. 4 in D (“Fandango”). The piece is one of the most popular works in the guitar chamber music repertoire and one that he’s recorded with the Escher Quartet.

Why is it so popular? “My guess is that it’s because of the third movement — the famous Fandango that gets played on radio stations around the country. But I think what really brings it over the top is when the cellist plays the castanets. It’s just one of those works that presenters like to program.”

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Jacob Allen on Ohio Light Opera’s 2024 season

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by Mike Telin

One of the neat things about a summer light opera festival is that there is always a family atmosphere. Ohio Light Opera is a perfect example of that, especially when it comes to associate artistic director Jacob Allen and his relationship with the company. 2024 marks Allen’s 18th season — and his sixth position within OLO after he started out as a young artist performer.

Allen is directing two shows this season: Guys and Dolls and Me and My Girl, the latter of which opens on Thursday, June 20 at 2:00 pm at Freedlander Theatre.

The show includes music by Noel Gay and lyrics by Douglas Furber and L. Arthur Rose. Tickets are available online.

I caught up with Allen by phone to talk about the two shows he’s directing — and his history with the company.

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Brandon Ridenour returns to ChamberFest Cleveland

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by Mike Telin

This week, trumpeter Brandon Ridenour will be featured in three ChamberFest Cleveland programs both as a performer and arranger.

Ridenour’s journey to becoming a  trumpet soloist, collaborative artist, composer, and arranger began at age 5, when he started studying piano with his father. After picking up the trumpet in 5th grade band class in Grand Rapids, Michigan, Ridenour went on to study at the Juilliard School. After graduating he became the youngest member to join the Canadian Brass and eventually embarked on a solo career.

In 2014 Ridenour became the first trumpeter in 30 years to win the Concert Artist Guild competition. In his role as performer-composer, he helped to launch the Brooklyn-based ensemble Founders, and in 2023, he joined the American Brass Quintet. As an educator, he serves on the faculties at Juilliard, The New School and the Manhattan School of Music, where he is passionate about developing a new model of education for a well-rounded, progressive musician of the future.

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Harpist Bridget Kibbey makes ChamberFest debut

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by Mike Telin

ChamberFest Cleveland launches its 2024 season — three weeks’ worth of concerts inspired by the theme of  “Sacred and Profane” — on Wednesday, June 12 at 7:30 pm at the Cleveland Institute of Music’s Mixon Hall.

Opening night marks the ChamberFest debut of harpist Bridget Kibbey, who will be featured in Claude Debussy’s Danse sacrée et danse profane — and throughout the first week of the festival. Tickets for all performances are available online.

I caught up with the Findlay, Ohio native on Zoom and began our delightful conversation by asking her if it was true that she first heard the harp in a church.

Bridget Kibbey: That’s true. It was a small country Mennonite church. I was taking piano lessons at the time and one of my Suzuki piano kid mates’ mother was a harpist. I saw her play and was just floored, so I started lessons with her right away at age nine. That’s what makes Ohio so special, there’s so many local music studios. I think that’s why Ohio produces great musicians, great music teachers, and music lovers.

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Steven Daigle previews the first three shows of Ohio Light Opera’s 2024 season

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by Mike Telin

On Saturday, June 8 at 7:30 pm, Ohio Light Opera will launch its 2024 season with the 1937 hit musical Guys and Dolls. The show is the first of six titles that will run in repertory through July 28 at the College of Wooster’s Freedlander Theatre. Tickets for all performances are available online.

“At some level, we’ve already worked on all six of the shows,” OLO artistic director Steven Daigle said by telephone during a rehearsal break last weekend. “We’re getting to know the singers better now that we’ve had more time to work with them, and we’re excited — it’s going to be a really great company.”

Based on two short stories by Damon Runyon, with music and lyrics by Frank Loesser, Guys and Dolls follows a pair of big city gamblers and the women who are in love with them.

Daigle noted that OLO has been staging what he called “Golden Age Musicals” for the past eight to ten years. “We’re now at a point where we have already produced most of them. And when we were tracking some of the blockbusters, Guys and Dolls just came up as a fun show. [Read more…]

ENCORE returns with an ode to Planet Earth

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by Mike Telin

Each summer, ENCORE Chamber Music Institute’s Music and Ideas Festival brings artists and speakers from around the world to present engaging performances and thought-provoking discussions that are inspired by a theme such as Creatures of Emotion, Storytelling, and FIRE. The 2024 edition of the Festival will feature six concerts under the theme of Planet Earth.

“I wanted to highlight the universal connection that we humans have with nature,” ENCORE founder and artistic director Jinjoo Cho said during a telephone interview.  “Anybody who takes a walk in the beautiful Cuyahoga Valley National Park — listening to the sounds of nature — will feel more calm and more centered.”

Planet Earth begins on Friday, June 7 at Kendall Lake at Cuyahoga Valley National Park. “Roma Jazz on a Starry Night” features the Olli Soikkeli Band — Olli Soikkeli (guitar), Brad Brose (rhythm guitar), Paul Sikivie (bass), and Evan Arntzen (clarinet/saxophone). “Olli has a special place in that repertoire, and we’re excited to do our first concert with him.”

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Sentiment, Satire, Horror, and Noir in silent film (May 10)

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by Mike Telin

At a time when performing musical scores during the showings of blockbuster films has become popular  programming for symphony orchestras, it’s interesting to turn back the clock to an era when audiences never heard the actors’ voices and the music was always performed live by whatever size ensemble was available.

This past semester a group of Oberlin students in the Music and Melodrama on Stage and Screen class, taught by Emily Laurance, immersed themselves in the creation of film scores from a historical perspective.

On Friday, May 10 the members of the class presented their final projects at the Cleveland Museum of Art’s Transformer Station. “The Many Moods of Melodrama: Sentiment, Satire, Horror, and Noir” was a fascinating and thoroughly entertaining evening that featured five short silent films exploring the melodramatic mode, with original scores performed by the students.

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She Scores: Celebrating Underrepresented Composers

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by Mike Telin

Since 2021, Local 4 Music Fund’s She Scores project has been providing a platform for underrepresented composers who, despite their immense talents, face barriers to having their works performed. And what began with performances of works by 16 composers has now blossomed into a four-concert series featuring works by 31 living composers who identify as female or nonbinary. “We have over 70 people involved in the festival this year,” Local 4 Music Fund executive director Amber Rogers said during a telephone interview.

The fourth edition of She Scores runs May 30 – June 2 at the Cleveland Institute of Music’s Mixon Hall, with performances at 7:00 Thursday-Saturday and 4:00 on Sunday. Emily Laurance will present a pre-concert lecture one hour prior to each performance. All concerts are free. Click here to read bios of the composers and performers.

“In the past, the call for scores only went out to composers in Ohio. This year we added Pennsylvania, Indiana, Michigan, Kentucky, and West Virginia. And we have composers from every one of those states represented in the programming,” Rogers said, adding that the jury reviewed around 80 submissions, all evaluated anonymously — the jury didn’t know who wrote what, or what their backgrounds were.

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