by Mike Telin
“On some level, all music is in dialogue with the art that came before it,” Cleveland Chamber Choir artistic director Greg Ristow writes in his artistic statement for the ensemble’s upcoming program. “But, when a composer pays direct homage to an older piece, it creates a loop that draws these works together in a conversation that’s possible only in non-linear time, and that reflects our own experience as listeners hearing music of many eras in the context of our modern times.”
On Saturday, March 2 at 7:00 pm in First Lutheran Church of Lorain and on Sunday, March 3 at 4:00 pm at St. Paul’s Episcopal Church in Cleveland Heights, Ristow will lead the ensemble in “Choral Splendor: Old and New.”
The program creates six “time loops” of older pieces and newer responses performed side by side: Gregorio Allegri’s Miserere mei, Deus will be paired with Claudia Hinsdale’s Joy: A Variation on Allegri’s Miserere, Sebastien de Vivanco’s In Manus Tuas with Andrew Rindfleisch’s In Manus Tuas: A Parody Motet, and Dietrich Buxtehude’s “Ad manus” from Membra Jesu Nostri with Caroline Shaw’s To the Hands.