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Cleveland Orchestra Youth Orchestra wraps up season with emotional performances (May 4)

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by Stephanie Manning

This article was originally published on Cleveland.com

CLEVELAND, Ohio — Spring is always the season of farewells for the Cleveland Orchestra Youth Orchestra (COYO). Twenty-nine of the middle- and high school musicians who performed in Mandel Concert Hall on Sunday pinned a white flower to their black attire — signifying that as graduating seniors, their time with the group would shortly come to a bittersweet end.

The May 4 concert at Severance Music Center also bid farewell to COYO’s music director Daniel Reith, who has led the ensemble since the fall of 2022. Sunday’s event left both students and conductor with plenty to be proud of.

[Read more…]

Cleveland Orchestra brass and percussion celebrate Akron’s 200th in ambitious Tuesday Musical program (Apr. 22)

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by Stephanie Manning

There are very few American cities who can count themselves as having an official fanfare. But now, Akron is one of them.

To celebrate the city’s 200th anniversary, Tuesday Musical commissioned composer Peter Boyer to write Festive Fanfare (For Akron’s Bicentennial). More than a concert piece, a recording of the four-minute fanfare will soon be made available for open-access use at Akron civic events. On April 22, a packed house heard it live for the first time as part of a wide-ranging program by the brass and percussion players of The Cleveland Orchestra.

“Kid — candy store,” Boyer said from the stage at E.J. Thomas Hall, gesturing to himself and then the musicians to describe his excitement. [Read more…]

Conductor Kazuki Yamada’s stylish Cleveland Orchestra debut features Elgar, Mozart, and pianist Francesco Piemontesi (Apr. 24)

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by Stephanie Manning

This article was originally published on Cleveland.com

CLEVELAND, Ohio — Edward Elgar’s first symphony was a long time coming. But once the British composer finally put pen to paper at age 51, audiences at the time simply couldn’t get enough. But tastes change, and that rapturous response in 1908 couldn’t guarantee eternal success. The piece has now settled into relative obscurity for many American orchestras.

Today, Britain is still the most likely place to hear Elgar’s Symphony No. 1 — so it made sense that The Cleveland Orchestra’s performance on April 24 should be led by the conductor of a British ensemble. City of Birmingham Symphony Orchestra music director Kazuki Yamada ascended the Severance Music Center podium, making his assured and elegant Cleveland Orchestra debut.

Elgar’s symphony is unconcerned with quaint, pastoral English scenes — instead, it’s often stormy, celebratory, and in-your-face, sometimes all at once. On Thursday, Yamada confirmed his reputation for passion and expressivity as a conductor in his interpretation of the symphony.

[Read more…]

BW Bach Fest celebrates their namesake composer with “Suites and Motets” combination (Apr. 11)

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by Stephanie Manning

It’s early days, but the 2025 music festival season is starting to kick into gear. A harbinger of that trend here in Northeast Ohio is the Baldwin Wallace Bach Festival, which just celebrated its 94th year.

The second and final day of the event swapped J.S. Bach for George Frideric Handel, presenting the composer’s Messiah for the first time in festival history. But the previous evening’s presentation tread more familiar ground. On April 11, Dirk Garner led BWV: Cleveland’s Bach Choir in a spirited concert of Bach suites and motets. [Read more…]

Contemporary Collaborations with Third Coast Percussion

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by Stephanie Manning

Reposted with the permission of Oberlin Conservatory

“Strum,” “Strike,” and “Bend” are all evocative references to the physicality of string and percussion instruments. And one is especially significant.

Put all three together, and you get the title of Third Coast Percussion’s (TCP) upcoming program with violinist/composer Jessie Montgomery. “ I think the ‘Bend’ part is maybe the most interesting,” says ensemble member Robert Dillon. “Something we really have enjoyed about Jessie’s percussion writing is this twisting, warping, or bending of sounds.”

Whether that’s blowing through a tube into a tom-tom or hitting a crotale before dipping it into water, these manipulations are ubiquitous in Montgomery’s music. And her recent piece for TCP is no exception.

[Read more…]

Seán Dagher’s sea shanties return for Les Délices “The Mermaid”

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by Stephanie Manning

Sea shanties might make you think of the ocean, not Lake Erie. But the freshwater ships that sailed the Great Lakes in the 19th century held a rich musical tradition of their own. So when Les Délices artistic director Debra Nagy found a song that mentioned Cleveland in the book Windjammers: Songs of the Great Lakes Sailors, she knew the group had to perform it.

“ When I was learning it, I really fell in love with the tune,” said Seán Dagher, a shanty singer and guest performer with Les Délices. The lyrics of “Red Iron Ore” tell the tale of a ship setting out from Cleveland to pick up some of the ore before returning home. “ Debra found a different set of lyrics and melody than people usually sing. So it’s nice to come up with something new with old source material.”

After his special appearances with the group in March, Dagher returns to Cleveland next week for a regular season program with Les Délices “The Mermaid,” a family-friendly concert combining classical and folk traditions, visits Akron on April 25, Cleveland Heights on April 26, and Rocky River on April 27. Tickets are available online. [Read more…]

Martha Redbone Roots Project: community and storytelling in Oberlin (Apr. 6)

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by Stephanie Manning

Martha Redbone knows how to tell a good story. So you’d better listen up, and get ready to sing along.

“This really will be a church tonight,” the singer promised Oberlin’s Finney Chapel and its assembled audience on April 6. The mood was indeed congregational — sometimes religious, but always communal. Redbone, pianist Aaron Whitby, violinist Charlie Burnham, and bassist Fred Cash, Jr. fostered an intimate evening of American Roots music with their performance as The Martha Redbone Roots Project. [Read more…]

Itzhak Perlman’s celebratory visit turns Severance Music Center into a ‘Fiddler’s House’ (Apr. 8)

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by Stephanie Manning

This article was originally published on Cleveland.com

CLEVELAND, Ohio — There’s a Yiddish saying that goes, “In the fiddler’s house, everyone dances.” Admittedly, in Severance Music Center on Tuesday night, April 8, it took some coaxing before a small but joyful group of people stood up, joined hands, and began snaking through the aisles.

Getting the audience on their feet is a trademark of Itzhak Perlman’s touring program “In the Fiddler’s House,” a celebration of traditional Jewish klezmer music. [Read more…]

Cleveland Orchestra brass and percussion take center stage to celebrate Akron’s bicentennial

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by Stephanie Manning

Composer and conductor Peter Boyer has a lot on his plate. But when recording producer Elaine Martone called him two years ago with an offer from Tuesday Musical, he just couldn’t say no.

“ I knew I already had these two huge commissions for 2026, so I was a little hesitant,” he said in a recent interview. “But I could tell that this was going to be a really cool project, because we had great people involved. It was just too good to pass up.”

The brass and percussion players of The Cleveland Orchestra, led by principal trumpet Michael Sachs, will premiere Boyer’s Festive Fanfare (For Akron’s Bicentennial) on Tuesday, April 22. Presented by Tuesday Musical, the 7:30 pm concert at E.J. Thomas Hall celebrates Akron’s 200th birthday with music by Giovanni Gabrieli, Percy Grainger, and Modest Mussorgsky. [Read more…]

Cleveland Women’s Orchestra celebrates 90 years at Severance (Mar. 30)

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by Stephanie Manning

Of the many orchestra performances held at Severance Music Center in a given year, only one of them features a musician roster made up entirely of women. This brief break from the status quo comes courtesy of the Cleveland Women’s Orchestra, which has been performing in the space now known as Mandel Concert Hall for 90 years.

Closing out the final weekend of Women’s History Month, the longest-running women’s orchestra in the country marked its 90th anniversary with its annual celebration concert. Music director Eric Benjamin led the program on March 30, which leaned traditional with plenty of orchestral standards.

The group’s strengths showed brightest in the peppy music that bookended the program. Shostakovich’s Festive Overture opened the concert on a strong note with even tempos, a healthy group sound, and satisfying bass drum hits. Benjamin’s conducting was attentive, but not micromanaging. [Read more…]

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