by Kevin McLaughlin
Margaret Brouwer’s music has become a fixture in Northeast Ohio — distinctive, unmistakable, and not easily pinned down. She goes her own way, with stylistic diplomacy: borrowing freely, but never pledging allegiance to any one camp.
On Sunday, April 19, Steven Smith led the Cleveland Chamber Symphony in three works by Brouwer as part of NEOSonicFest, its annual spring exposition of new sounds, at Disciples Christian Church in Cleveland Heights.
First up was Donald Erb’s Harold’s Trip to the Sky (1974). Scored for viola, piano, and percussion, Erb treats the ensemble less as a traditional trio than as three independent voices. The title makes a nod to Lord Byron’s Harold but Erb’s piece doesn’t tell a story. It unfolds in episodes: the viola climbing and exploring, the piano holding its ground, the percussion commenting, like Puck, with wry asides. [Read more…]
The Higgler is an opera about missed opportunities, mixed signals, and difficult decisions. So what awaits its regretful characters once the story ends? Well, your guess is as good as mine.
An entire album of pieces for eight cellos and one soprano might seem like a daunting prospect. But Voices from the Other Side clocks in at more than an hour’s worth of music — so there’s more out there for this instrument combination than you might think.
The Cleveland Chamber Symphony has changed plenty since its founding more than 40 years ago. But some things are still the same.
The Cleveland Chamber Symphony fused ballet and contemporary music on April 7 at the Maltz Performing Arts Center. Music director and conductor Steven Smith led the Grammy-winning ensemble through an energetic program with guest dancers from two local companies.