ClevelandClassical.com
Ad
Ad
Ad

Cleveland Opera Theater: La traviata at the Maltz (April 28)

by

by Daniel Hathaway

While opera often treats its audiences to spectacle on a grand scale, what really makes the art form take flight is the melding of distinguished singing with excellent acting and staging. Those elements came together beautifully in Cleveland Opera Theater’s production of Verdi’s La traviata on Sunday afternoon, April 28 at the Maltz Performing Arts Center. A strong cast and a fine chamber orchestra joined director Scott Skiba and conductor Domenico Boyagian in bringing the story of Violetta Valéry to vibrant life on an engagingly human scale. [Read more…]

“Karel Paukert Up Close and Personal” at St. Paul’s, Cleveland Heights (Jan. 30)

by

by Daniel Hathaway

PaukertInterview-KellerRemember the reality documentary series This Is Your Life? On Sunday afternoon, January 30, the Cleveland Chapter of the American Guild of Organists honored Karel Paukert with a retrospective of his distinguished career, together with a recital that included the world premiere of a new work by Frank Wiley. [Read more…]

Opera Circle Cleveland: Mozart’s The Magic Flute at Westlake PAC (March 13)

by

by Mike Telin

BrianandDorotaIs there a more fun-filled, accessible opera than Mozart’s The Magic Flute? Its classic fairy tale plot — good versus evil combined with a search for enlightenment and love — is timeless. Its characters are sympathetic, and it’s filled with beautiful arias and catchy tunes that are certain to cause earworms long after you have left the theater [Read more…]

CIM Opera Theater: The Marriage of Figaro in Kulas Hall (November 5)

by

by Daniel Hathaway

Figaro-&-SusannaMaking virtue out of necessity, CIM Opera Theater director David Bamberger introduced a new operatic technique in his production of Mozart’s The Marriage of Figaro on Thursday, November 5 in Kulas Hall: ventriloquism.

[Read more…]

CIM Opera: Mozart’s La clemenza di Tito (Feb. 25)

by

by J.D. Goddard

CIMOPERA-1For CIM Opera’s opening night performance on Wednesday, February 25 in Kulas Hall, conductor Harry Davidson, an outstanding CIM orchestra, and a multi-talented CIM cast who were eager to take full advantage of the wonderful opportunities Mozart offered them shown forth in an impressive performance. [Read more…]

CIM Opera to produce Mozart’s La Clemenza di Tito

by

by Mike Telin

KELSO-AngelaMozart began his opera seria, La clemenza di Tito (The Clemency of Titus), with Italian libretto by Caterino Mazzolà, shortly after he had completed the majority of his comic opera, The Magic Flute. However the two operas are worlds apart from each other. Clemenza’s plot centers around Vitellia, daughter of deposed emperor Vitellio, who wants revenge against Tito and convinces his best friend Sesto to execute him. You can read a full synopsis here.

Beginning on Wednesday, February 25 at 7:30 pm in the Cleveland Institute of Music’s Kulas Hall, CIM Opera Theatre will present La clemenza di Tito. The fully staged production is directed by David Bamberger, and Harry Davidson will lead the CIM orchestra. Performances run through Saturday, February 28.

This past weekend I spoke to three of the cast members, all of whom shared insightful thoughts about their complex characters. They also gave high marks to Bamberger for his directing of this “modern” production as well as crediting Davidson for his helpful musical advice.   [Read more…]

Review: A Celebration of English Opera at CIM (February 27)

by

by Mike Telin

RidersThe Cleveland Institute of Music Opera Theatre’s most recent production, “A Celebration of English Opera,” either left you scratching your head or re-energized, depending on your sensibilities. Performed in Kulas Hall from February 26 through March 1 the “Celebration” consisted of two one-act operas, the rarely heard Ralph Vaughan Williams Riders to the Sea and the second, a staple of the Baroque opera repertoire, Henry Purcell’s Dido and Aeneas.

In his director’s notes David Bamberger pointed out that both operas center on a powerful woman and in each case, that woman self-identifies through a man – in one case a mother, in another as a lover. And in each opera the woman loses the man to rival forces that she can neither control nor totally understand. But without a doubt, the pairing of these two titles made for a fun, enjoyable and thought-provoking evening. Enjoyable because of the outstanding performances given by the young and talented CIM cast. Thought-provoking due to an ingenious take on an all too-familiar tale. I attended the Thursday, February 27 performance. [Read more…]

Preview: CIM Opera Theater — Riders to the Sea & Dido & Aeneas: conversations with Lyndsay Moy & Elizabeth Frey

by

by Mike Telin

MOY-FREYBeginning on Wednesday, February 26 in Kulas Hall at the Cleveland Institute of Music director David Bamberger and the CIM Opera Theater will present two one-act masterpieces of English opera, Dido & Aeneas and Riders to the Sea. Harry Davidson will conduct the Cleveland Institute of Music Orchestra. The performances will be sung in English with projected text. Performances begin at 7:30 pm and run through Saturday, March 1.

Ralph Vaughan Williams’s Riders to the Sea is set in the Aran Islands, off Ireland’s west coast. Before the opera opens, Maurya has lost her husband, father-in-law, and four of her six sons at sea. Mezzo soprano Lyndsay Moy (left), who performs the role of Maurya, says all one needs to do to perceive the difficulties of daily life the opera’s characters are forced to endure is to look at the geographic location where the opera is set.

“It’s easy to understand just how dangerous the ocean can be. And Maurya is someone who has experienced a lot of pain caused by the ocean. She has lost her husband, her father-in-law and four sons and at the beginning of the opera she presumes that her fifth son, Michael, is also dead. [Read more…]

Follow ClevelandClassical.com

Support ClevelandClassical.com

Media Partner

Media Partner

Contact us