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Margi Griebling-Haigh’s The Higgler: a conversation with director Marla Berg

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by Mike Telin

The first time that composer Margi Griebling-Haigh read A.E. Coppard’s The Higgler, she knew the short story about life’s missed opportunities was fodder for an opera.

On Saturday, June 7 at 7:30 pm at Disciples Christian Church, Griebling-Haigh’s tragi-comic chamber opera The Higgler will receive its world premiere, directed by Marla Berg and conducted by Steven Smith.

The cast includes tenor Brian Skoog in the title role, soprano Gabrielle Haigh as Mary Sadgrove, mezzo-soprano Elizabeth Frey as Mrs. Sadgrove, mezzo soprano Denise Milner Howell as Mrs. Witlow, and soprano Lisl Wangerman as Sophy Dawes. The production will be repeated on Sunday, June 8 at 3:30 pm. Tickets are available online.

I caught up with director Marla Berg by Zoom and began by asking her how she developed the concept for the new work.  [Read more…]

Kent State Opera to stage Copland’s The Tender Land

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by Daniel Hathaway

For its spring production, Kent State Opera will present Aaron Copland’s 1954 opera, The Tender Land — a title that seems not to have been staged in Northeast Ohio for at least ten years, although a suite of orchestral excerpts has appeared with some regularity on concert programs.

In a telephone conversation with music director Jay White, the Kent professor admitted that Tender Land was not on his radar before he and Marla Berg decided to produce it at Kent. “The only thing I was familiar with was the choral arrangements of ‘The Promise of Living’ and ‘Stomp Your Foot,’” he said. “Marla wanted to do something in English again and we had done an excerpt from it in our scenes program a couple of years ago. There are essentially three main male characters and two main female characters, and for the first time, we actually had enough men to fill all the principal roles.”

Inspired by Walker Evans’ Depression-era photos and James Agee’s book Let Us Now Praise Famous Men, and with a libretto by Horace Everett under the pseudonym of Erik Johns, the opera was originally conceived for broadcast on television, but its producers sank the project. [Read more…]

Kent State Opera fall scenes include Scott Little premiere (Nov. 17)

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by Daniel Hathaway

Programs of opera scenes are pedagogical standards in music schools, but Kent State Opera’s fall excerpts offered something special this time around. The premiere of senior education major, oboist, and composer Scott Little’s one-act opera, The Story of an Hour, along with two large chunks of Mozart and Berlioz revealed deep talent among Kent’s voice students in cleverly staged performances by Marla Berg with music direction by Jay White. Karen Ni Bhroin and Tori Petrak conducted, and pianist Vicky Tong fluently covered the orchestra parts. [Read more…]

Kent fall opera scenes include premiere of The Story of an Hour

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by Daniel Hathaway

Kent State music education major Scott Little’s new opera, The Story of an Hour, has inspired KSU opera director Marla Berg to take her annual fall opera scenes program to a new level this year.

“Although I didn’t hear the portion of Scott’s piece that was workshopped during Cleveland Opera Theatre’s {NOW} Festival, Tim Culver thought it was really good. Then I heard a reading of some of the work at Kent. But what really spurred me on is that Scott wrote a short piece for the Kent orchestra and choral concert last spring, and I really liked it. He came in to talk with me about what it would be like to produce an opera and I thought, you know what? It’s a 40-minute piece. Wouldn’t it be an extraordinary experience for everybody involved if we did it.”

Berg’s decision to mount the premiere ramped up the usually modest fall opera scenes program considerably. “I normally do a montage of eight to ten small scenes, and I thought, I’ll just match Scott’s piece up with two bigger scenes,” Berg said. Although she’s always promising to make things easier on herself the next time around, the director ended up choosing Act III of The Marriage of Figaro and scenes from Berlioz’ Beatrice and Benedict with spoken dialogue from Shakespeare, all of which share the theme of marriage. [Read more…]

Nightingale Opera Theatre: Menotti’s The Consul in Hudson (July 21)

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by Timothy Robson

WaitingRoomGian Carlo Menotti’s 1950 cold-war era opera The Consul received a strong performance on July 21 by the Nightingale Opera Theatre at the intimate Barlow Community Center theater in Hudson. [Read more…]

Nightingale Opera Theater to stage Gian Carlo Menotti’s The Consul

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by Daniel Hathaway

Nightingale-ConsulAt the same time last year that Nightingale Opera Theater executive director Melissa Davis was thinking about a title to produce in 2017, she was also feeling distraught by stories she read about the emerging refugee crisis.

“I listened to Menotti’s The Consul and was so moved by it that I thought there was no better time to perform the work than this summer.” That plan has now come to fruition: two performances are scheduled for Friday, July 21 at 7:30 pm and Sunday, July 23 at 2:30 pm in the Barlow Center in Hudson. (Read a plot synopsis here.) [Read more…]

A weekend of short(ened) operas from Opera Circle, Kent, and Baldwin Wallace

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by Daniel Hathaway

zanetto-st-stanNovember became Northeast Ohio’s unofficial Opera Month as a number of institutions unveiled productions during the first two weeks. Particularly dense was the weekend of November 4-6, when Opera Circle Cleveland, Kent State Opera, and Baldwin Wallace Opera Theater — in cooperation with Cleveland Opera Theater — all brought titles to the stage. [Read more…]

Six opera productions hit the boards this month, four clustering on the weekend of November 4-6

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by Daniel Hathaway

serseOpera fans in Northeast Ohio will enjoy a bumper crop of productions this harvest-time. Six shows, two of them double-bills, will open between November 2 and 11. We’ll be running separate previews for Oberlin Opera Theater’s Donizetti/Poulenc evenings (November 2,4, 5, and 6), for CIM Opera’s Puccini/Menotti performances (November 9-11) and for Opera Western Reserve’s single performance of Carmen (November 11).

But let’s take a look at the busiest opera weekend of the year. Baldwin Wallace’s Serse, Kent State Opera’s scenes from The Magic Flute, and the first pair of a dozen performances of Mascagni’s Zanetto by Opera Circle Cleveland, plus the remaining Oberlin Opera performances, all fall on the weekend of November 4-6. With some astute planning, you can catch a performance of each of them. Here’s a rundown of the BW/COT, Kent State, and Opera Circle productions. [Read more…]

Nightingale Opera Theatre: Mark Adamo’s Little Women at Hudson’s Barlow Center (July 16)

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by Daniel Hathaway

FourSistersA strong cast of singer-actors and superb production values made Nightingale Opera Theatre’s recent production of Mark Adamo’s Little Women a beautiful experience. I saw the second of two performances in the intimate theater of the Barlow Community Center in Hudson on Sunday afternoon, July 16. [Read more…]

Nightingale Opera to stage Little Women: thoughts from executive director Melissa Davis

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by Daniel Hathaway

Little-Women-SetMark Adamo’s Little Women, his first attempt at an opera, turned out to be a composer’s dream project. It is based on Adamo’s own adaptation of Louisa May Alcott’s story of four New England sisters coming of age during the American Civil War. The piece was workshopped at Houston Grand Opera in 1998, then given a full production there in 2000. With more than 70 productions to date, including a version filmed for national television, Little Women has gone on to become one of the most-produced new operas of our time. Nine productions will have taken place in 2015-2016 alone.

Nightingale Opera Theatre will bring Little Women to the stage of Hudson’s Barlow Community Center on Friday, July 15 at 7:30 pm and on Sunday, July 17 at 2:30 pm. [Read more…]

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