Tim Nelson Archives - Cleveland Classical

Six opera productions hit the boards this month, four clustering on the weekend of November 4-6

November 3, 2016 by Daniel Hathaway

by Daniel Hathaway

Opera fans in Northeast Ohio will enjoy a bumper crop of productions this harvest-time. Six shows, two of them double-bills, will open between November 2 and 11. We’ll be running separate previews for Oberlin Opera Theater’s Donizetti/Poulenc evenings (November 2,4, 5, and 6), for CIM Opera’s Puccini/Menotti performances (November 9-11) and for Opera Western Reserve’s single performance of Carmen (November 11).

But let’s take a look at the busiest opera weekend of the year. Baldwin Wallace’s Serse, Kent State Opera’s scenes from The Magic Flute, and the first pair of a dozen performances of Mascagni’s Zanetto by Opera Circle Cleveland, plus the remaining Oberlin Opera performances, all fall on the weekend of November 4-6. With some astute planning, you can catch a performance of each of them. Here’s a rundown of the BW/COT, Kent State, and Opera Circle productions. [Read more…]

CIM Opera’s engaging Puccini double bill prompts both laughs and tears (Nov. 7)

by Stephanie Manning

The three one-act operas that make up Giacomo Puccini’s Il trittico (The Triptych) are typically connected by theme, rather than location. Although the trio of works take place in 13th-century Paris, 17th-century Siena, and 20th-century Florence respectively, they all deal with keeping someone’s death a secret — whether tragically or comedically.

CIM Opera Theater’s recent production of two-thirds of the triptych brought the action into one particular place and time, as director Dean Southern moved both Suor Angelica and Gianni Schicchi into 1918’s New York City. What stood out more, however, were the impressive performances from across the large cast, which I heard on November 7 in Kulas Hall.

[Read on…]

Oberlin Orchestra with the Poiesis Quartet in Finney (Oct. 31)

by Daniel Hathaway

Fresh from winning the grand prize at the prestigious Banff Competition on the last day of August, the Poiesis Quartet (Sarah Ying Ma & Max Ball, violins, Jasper de Boor, viola, and Drew Dansby, cello) took a late October victory lap at the Oberlin Conservatory, returning to their place of birth as an ensemble to give master classes and solo with the Oberlin Orchestra.

Judging from the turnout in Finney Chapel on Friday, it might not have been a prizewinning idea to schedule a major orchestra concert on a college campus on Halloween, but there was nothing slim about the sound that the stage full of musicians produced. Brilliantly scored works by Carlos Simon, John Adams, Angélica Negrón, and Zhou Tian, were conducted with precision by Rafael Jiménez.

[Read on…]

Cleveland Orchestra makes a sinister showing of Alfred Hitchcock’s Psycho (Nov. 5)

by Peter Feher

A violin bow is an unlikely murder weapon. But in the hands of composer Bernard Herrmann, the slashing motion of a string instrument seems almost one and the same with the stabbing knife onscreen in Alfred Hitchcock’s 1960 classic Psycho.

The infamous soundtrack to secretary Marion Crane’s final moments in the shower — and also to private investigator Milton Arbogast’s stumbling death down the stairs later in the film — is horrifyingly simple. A series of screeching down-bows begins in the first violins and then stacks in dissonant intervals as the remaining string sections join in. The gesture is more like a Foley effect than music per se, evoking something between a human scream and the shriek of metal against metal.

[Read on…]

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