by Daniel Hathaway
Thursday evening’s Cleveland Orchestra program at Severance Hall cozied two ear-stretching modern works by Anthony Cheung and György Ligeti between a pair of Haydn Symphonies — No. 39 from the composer’s “Storm and Stress” period, and No. 96 from his late, mature period. [Read more…]
by Mike Telin
What do you think of when you hear horn calls filling the hall with majestic sound during Haydn’s The Seasons, or any Mahler symphony? Perhaps you visualize hunting, a warning of encroaching armies, or a ship sailing into a foggy harbor.
What listeners think of when hearing such musical gestures served as inspiration for Anthony Cheung’s new work, Topos, which will receive its world premiere by The Cleveland Orchestra under the direction of Franz Welser-Möst this week at Severance Hall. Check our concert listings page for dates and times.
In the program notes, Cheung, the Orchestra’s ninth Daniel R. Lewis Young Composer Fellow, writes:
Each movement is based on one or several related musical topics: representational tropes with special recurring characteristics that evoke scenery, psychological affect, natural and cultural phenomena, etc. The fluidity of meaning in these topics fascinates me. For example, horn calls were originally indicative of hunting, signaling, and fanfare but reemerged in the 19th century as symbols of nostalgia and even leave-taking. [Read more…]
by Daniel Hathaway
If planning an orchestral season is like assembling a vast jigsaw puzzle, The Cleveland Orchestra’s program on Saturday, April 2 felt as though it might have been put together from the leftover pieces after everything else had fallen neatly into place. [Read more…]
by Mike Telin
In his program notes for Lyra (2013), composer Anthony Cheung writes, “The strumming or plucking of a lyre: if Western music has an origin myth, the lyre is inextricably linked to it. Apollo with his lyre, truth emanating from its well-proportioned vibrations. Orpheus soothing all manner of flora and fauna, as well as the keepers of the underworld…. And with Beethoven, modern and ancient mythology are conjoined. When the composer supposedly channels the Orpheus narrative in his fourth piano concerto, he puts the soloist in the heroic role, pitting it against an orchestra of Furies, and makes a lyre of the piano.”
On Thursday, March 31 at 7:30 pm and Saturday, April 2 at 8:00 pm at Severance Hall, Franz Welser-Möst will lead The Cleveland Orchestra in performances of Cheung’s Lyra. The program will also include Thomas Adès’s Concentric Paths (for violin and orchestra) with soloist Leila Josefowicz, as well as orchestral excerpts from Wagner’s Götterdämmerung. On Wednesday, March 30 at 6:30 pm, Anthony Cheung will present a lecture in Bibbins 224 at the Oberlin Conservatory. [Read more…]