by Daniel Hathaway

by Daniel Hathaway

by Mike Telin

This week CityMusic Cleveland, under the direction of music director Avner Dorman, will present five performances of the concerto featuring violinist Sayaka Shoji. The all-German program will also include Robert Schumann’s Symphony No. 1 in B-flat, Op. 38 (“Spring”).
Following a performance in Dublin, Ohio on Wednesday, the CityMusic musicians will return to Cleveland for four concerts, beginning on Thursday, October 15 at 7:30 pm with a performance in Lakewood Congregational Church. See our Concert Listings page for additional times and locations. [Read more…]
by Mike Telin

by Mike Telin

On Thursday, May 28 and Friday, May 29 at 8:00 pm in Masonic Auditorium Performing Arts Center, CityMusic Cleveland, under the direction of Avner Dorman, will present Wishes and Dreams, a Homeless Children Project. The concert will feature the Grammy- and Tony Award-Winning singer Heather Headley (pictured above). The program will also include Dorman’s Spices, Perfumes, Toxins! featuring percussionists Luke Rinderknecht and Haruka Fuji. [Read more…]
by Daniel Hathaway

by Mike Telin

by Daniel Hathaway

Dorman will be featured as a composer in concerts from October 15 through October 19, when his Saxophone Concerto will be played by Timothy McAllister in performances in Lakewood, Cleveland, Willoughby Hills and University Heights, along with Mozart’s Symphony No. 35 (“Haffner”) and Haydn’s Symphony No. 45 (“Farewell”).
The late Argentine composer Ariel Ramírez’s Misa Criolla (1964) will be at the center of the second series of concerts. Incorporating South American folk instruments, the piece will be sung by the choir of Sagrada Familia Church on Cleveland’s west side in performances in Cleveland, Cleveland Heights, Willoughby Hills and Lakewood from December 3-7 conducted by Peter Bennett. [Read more…]
by Daniel Hathaway
Quire Cleveland joined CityMusic Cleveland for a brisk, expressive performance of a gorgeous late Schubert work led by CityMusic music director Avner Dorman at Fairmount Presbyterian Church in Cleveland Heights on Wednesday, May 14. This was the opening concert of five that the two ensembles will present around the metropolitan area this week. (Rehearsal pictured above.)
Schubert’s Mass No. 6 in E-flat, written during the last month’s of the composer’s life, rarely gets heard these days. That’s a great pity. Though ill, Schubert found alluring and often surprising ways to set ancient liturgical texts, and applied his recent lessons in counterpoint to some of the most inventive fugues since J.S. Bach’s. The E-flat mass offers a long sequence of gorgeous melodies, innovative textures, arresting harmonies and enthralling conversations between chorus and orchestra. [Read more…]
by Daniel Hathaway

The work Dorman was referring to in a recent telephone conversation is Franz Schubert’s Mass in E-flat, written in 1828, the last summer of the composer’s life, on commission from the choirmaster of the Alserkirche in Alsergrund, a suburb just north of Vienna’s Innere Stadt. That church was the venue for Beethoven’s funeral the year before (Schubert served as a torch-bearer).
Alas, the composer didn’t live long enough to hear the last of his six masses performed; its premiere ultimately took place in October of 1829 under the direction of his brother, Ferdinand. This week, Avner Dorman will lead CityMusic and Quire Cleveland in five performances of the E-flat Mass around the metropolitan area, beginning on Wednesday, May 14. [Read more…]
by Daniel Hathaway

Dorman noted both in written and oral notes that he intended to show off the talents of members of the orchestra as much as possible in his first concert, and that principally meant the ensemble’s wind section, whose excellence runs both deep and wide. The Vivaldi concerto boasted pairs of soloists — oboists Rebecca Schweigert Mayhew and Daniel Rios and clarinetists Daniel Gilbert and Ellen Breakfield Glick — who matched each other’s elegant tone perfectly, yet each pair provided cheerful sonic contrasts as oboes tossed phrases off to clarinets. As always, Vivaldi was infinitely resourceful within his time-honored formulas, and he snuck in a strangely arresting rhythmic pattern at the beginning of the last Allegro. Harpsichordist Peter Bennett added stylish decorations to the keyboard accompaniment. [Read more…]