by Mike Telin
When Carlton Woods was set to retire from his post at Michigan’s Midland Symphony Orchestra in 2007, the longtime music educator and conductor, along with his wife Ladonna, set his sights on Cleveland.
Why Cleveland? “I wanted to come where I could hear the best orchestra in the country and one of the greatest in the world every week,” Woods told The Plain Dealer in a 2015 interview. Once here, Woods quickly recognized the wealth of professional musicians living in the area who were looking for more opportunities to perform. In a sense, Woods seized the moment, and in 2010 with the tagline “From Cleveland for Cleveland,” the BlueWater Chamber Orchestra was born.
On Saturday, October 4 at 7:30 pm at the Church of the Covenant, the BlueWater Chamber Orchestra will kick off its fifteenth anniversary with “Threads of Time, Struggle, and Hope.” [Read more…]
On Saturday, November 14, BlueWater Chamber Orchestra presented a program at Plymouth Church in Shaker Heights that could be described as a showcase for some of Cleveland’s most talented musicians. Led by founder and conductor Carlton Woods, the ensemble performed three sublime and challenging works by Gabriel Fauré, Giuseppe Maria Cambini, and Francis Poulenc. These high-energy pieces, calling for technical bravado and some for lush romanticism, seemed to be joined at the hip, and made for an evening that was both serene and breathtakingly beautiful. 
BlueWater Chamber Orchestra occupies a unique place in the current musical scene in Cleveland: an orchestra committed to imaginative programming, including unusual works by famous composers as well as new works by emerging composers. Saturday evening’s program, featuring Grammy-winning guitarist Jason Vieaux and conducted by artistic director Carlton R. Woods, was no exception in its exploration of music of Hispanic heritage. 
Since its founding in 2010, BlueWater Chamber Orchestra has quickly immersed itself into the cultural fabric of the community. The orchestra’s neighborhood-based programs bring classical music directly to listeners’ doors. One such program is BWCO’s residency at St. Ignatius High School — a partnership which unites students with professional musicians.
May Wine is a delightful spring punch made out of a bit of everything — the fruitiness of Riesling, the bubbly of Prosecco, the tart bite of strawberries, and the sweet pungency of the flowers and leaves of woodruff (also wonderfully known as sweet-scented bedstraw), blooming now in northern Ohio. For their final concert of their fifth season, the BlueWater Chamber Orchestra served up a bowl of musical May wine, more than welcome on one of the first warm evenings of the season. 
Carlton Woods and BlueWater Chamber Orchestra had a fine time celebrating the Halloween weekend in their concert at Plymouth Church in Shaker Heights on Saturday evening. The featured work on the program was Jon Deak’s The Headless Horseman of Sleepy Hollow, an action-packed concerto for string quartet and orchestra, with narration read by WCLV president Robert Contrad. 
It’s that time of year when jack-o-lanterns are seen illuminating front porches, and scary tales of ghosts and goblins are told. One of those tales is “The Headless Horseman,” which has been popularized in Washington Irving’s “The Legend of Sleepy Hollow.” On Saturday, November 1 at 7:30 pm in Plymouth Church in Shaker Heights, Carlton R. Woods will lead the BlueWater Chamber Orchestra in Jon Deak’s Concerto for String Quartet, Narrator and Orchestra, The Headless Horseman of Sleepy Hollow, featuring violinists Kenneth Johnston and Charles Morey, violist Kirsten Docter, cellist Bryan Dumm and narrator Robert Conrad.