by Mike Telin

by Mike Telin

by Daniel Hathaway

by Guytano Parks

Iron Composer is an instant composition contest held at Baldwin Wallace. Five composers are invited to compete in person. On the morning of the event, the finalists are assigned an instrumentation and a secret musical ingredient. They have just five hours to write a piece of music that incorporates those two elements. Their work is then performed and judged on a public concert that same evening. Blue Water Chamber Orchestra and the Iron Composer Competition have a collaborative venture in which works by competition winners are given a performance on its regular concert series. [Read more…]
by J.D. Goddard

Woods opened the program with Edward Elgar’s Introduction and Allegro, op. 47 for solo string quartet and strings, showcasing Blue Water violinists Kenneth Johnston and Emily Cornelius, violist Laura Shuster, and cellist Kent Collier.
The opening statement from the strings immediately grabbed one’s attention with its dramatic clarity before melting into magnificent sonorities that played the quartet off against the full string compliment. Rallentandos, rubatos and ritards were abundant and splendidly romantic in style. [Read more…]
by Mike Telin

BWOC Artistic Director Carlton Woods will also lead performances of Barber’s Adagio for Strings, Elgar’s Introduction & Allegro and Tchaikovsky’s Serenade for Strings. A pre-concert Meet & Greet for children 12 and under begins at 6:45 pm.
During a recent telephone conversation Carlton Woods gave us his insights into Saturday’s intriguing program.
Carlton Woods: Well, the Capricorn came about because Neil is somewhat of a champion of the piece and he’s never had the opportunity to do it. [Read more…]
by Guytano Parks

Opening the program was Corigliano’s Voyages for Strings, an instrumental version of an a cappella choral work that was a setting of Baudelaire’s L’Invitation au voyage. Plymouth Church proved to be the ideal space for this sensual music — beautifully played with wondrous blend and balance — to breathe and soar. Points of resolution were heavenly as the players mused and ambled through Corigliano’s sometimes ambiguous harmonic territory.
Jieming Tang impressed with his lovely, lyrical playing of Beethoven’s Romance No. 2, Op. 50. Projecting clearly and effortlessly above the orchestra at all times, his tone was sweet and clear in the upper register and deep and rich in the lower. Beethoven’s well-crafted piece benefitted from Mr. Tang’s expressive delivery of every detail, and Woods and the orchestra gave him fine and graceful support. [Read more…]
by Daniel Hathaway

The excellent concert featured Samuel Barber’s violin concerto with Cleveland-born Diana Cohen in the solo role. It also turned the time-honored order of overture-concerto-symphony a bit inside-out, and was played without intermission. The performance also began at 7:30 — early for a Saturday night performance — and ended by 8:45 when the evening was still young for an unhurried post-performance meal.
Cohen, who currently serves as concertmaster for Canada’s Calgary Symphony, has recently deepened her ongoing Cleveland connections by founding ChamberFest Cleveland with her father, Cleveland Orchestra principal clarinetist Franklin Cohen. Those who have heard her play so eloquently during the first two seasons of that series had the opportunity to experience her artistry as a concerto player at the end of Saturday evening’s program, a role in which she proved to be equally impressive. [Read more…]
by Mike Telin
“The
The five songs that comprise the Wesendonck Lieder, Der Engel (The Angel), Stehe still! (Stand still!), Im Treibhaus (In the Greenhouse), Schmerzen (Sorrows) and Träume (Dreams) were composed while Wagner was working on his opera Tristan und Isolde. “Of course he was trying things out for Tristan when he was writing them, so I suppose it was a bit of writing the songs before the opera.” In fact Wagner sub-titled two of the songs Träume and Treibhaus, as studies for Tristan und Isolde. [Read more…]
On Sunday afternoon, September 12, a new ensemble and a new venue made their joint orchestral debut as the Blue Water Chamber Orchestra played its first concert under its founder and conductor Carlton R. Woods at St. Ignatius High School’s Breen Center in Ohio City.
Mr. Woods chose a substantial menu of attractive chamber orchestra works for Blue Water’s first outing: Ravel’s Le Tombeau de Couperin, Hanson’s Serenade for Flute, Harp and Strings, Beethoven’s Romance in F for violin and orchestra, Elgar’s Serenade for Strings and Ginastera’s Variaciones Concertantes — one piece each from France, the US, Austria, England and Argentina that required the orchestra to quickly adapt between national styles. [Read more…]