by Mike Telin

Their varied program will explore a kaleidoscope of expressive states in Tonia Ko’s plush earth in four pieces, Carrie Frey’s Seagrass/Reed, Giacinto Scelsi’s Chemin du Coeur, Linda Caitlin Smith’s Unbroken, and Michael Hersch’s the wreckage of flowers.




2018-19 marks the tenth anniversary of the always creative new music ensemble No Exit. And they will begin their season later this week by once again sharing a stage with Minneapolis-based Zeitgeist. “I’m just thrilled that they will be joining us for these opening three concerts,” No Exit Artistic Director Timothy Beyer said during a telephone interview. “They are they an absolutely amazing new music ensemble but they’re also great collaborators — they always bring something wonderful to the table.”
No Exit’s third performance of its 2015 spring program on Monday, April 20 at Cleveland State University’s Drinko Recital Hall included a wide range of contemporary sounds and video, ranging from an almost elderly work (dating from 1994) to the first performances of newly-minted pieces. The emphasis was on electronic music, either all by itself or in combination with live performance, and there wasn’t a boring moment.