by Daniel Hathaway
Twenty
Music Director Christopher Wilkins was the warm, chatty and versatile emcee for the evening, which began with tributes to volunteer leaders Ann Lane Gates, Brenda L. Justice and Angeleina Valentine. [Read more…]
by Daniel Hathaway
Twenty
Music Director Christopher Wilkins was the warm, chatty and versatile emcee for the evening, which began with tributes to volunteer leaders Ann Lane Gates, Brenda L. Justice and Angeleina Valentine. [Read more…]
by Daniel Hathaway
German
It was clear from the contingent of Cleveland fans who drove down to hear Schimpf that the Cleveland Competition continues to support its laureates not only with post-contest bookings but with enthusiastic moral support. On Saturday, both Akron and Cleveland listeners were obviously thrilled by Schimpf’s gorgeously assured performance of a work the pianist has lived with for more than a decade: Chopin No. 1 was the first work he ever played with an orchestra, at the age of 18. [Read more…]
by Laura Genemans
This past Saturday, the Akron Symphony Orchestra under the direction of Maestro Christopher Wilkins and the Akron Symphony Chorus under the direction of Maestro Hugh Ferguson Floyd in no uncertain terms established its excellence and value in this area as an exceptional musical force.
Verdi’s La forza del destino: Overture opened the program and established the tonal three notes representing the forces of destiny. Thanks to the excellent pre-concert talk by Maestro Wilkins you knew what to listen for. Without words, the orchestra created pictures with the entrance of the strings followed by the lyrical “gypsy-like” melody from the clarinet and flute. The continual movement between the strings (celli and viola) and winds wove the story taking you to your inevitable destiny – concluding with the low brass. The music carried you due to the way the ensemble followed each other letting the Maestro lead – never releasing that thread of interest and tension.