by Kevin McLaughlin

You can quibble about how “Black” the program was, with a lineup that included Artie Shaw’s Clarinet Concerto, selections from George Gershwin’s Porgy and Bess, and Manuel de Falla’s Ritual Fire Dance.
But as for “Black excellence,” there was an abundance. Works by Jessie Montgomery, Samuel Coleridge-Taylor, and William Grant Still each sparkled in smart, moving, and inspiring ways. And the three vocal soloists, all current students at Oberlin Conservatory, shone.




Most clarinetists are no strangers to playing on all the different varieties of their instrument. But using three of them over the course of just one piece? That’s a little more unusual.
In three concerts over the next three months from CityMusic Cleveland, one particular instrument, and one particular player, crop up several times.
CityMusic Cleveland has always been on a mission. This season, the group is staying true to its community vision — music for everyone, and concerts for free — even if performances look a little different in 2021. The programming is slimmed down from chamber orchestra to chamber music, and there’s an increased emphasis on new works (each program this season features a world premiere).
One instrument can make a world of difference. The clarinet took top billing on Friday, June 25, in a free chamber program at Pepper Pike’s Church of the Western Reserve, the first live performance back after more than a year for the CWR Concert Series.
After greeting an in-person audience the night before at Shrine Church of St. Stanislaus, a mixed quartet from CityMusic Cleveland performed for an audience unseen on Saturday, May 15, thanks to the live-streaming capabilities of the Maltz Performing Arts Center.


