ClevelandClassical.com Header
Ad
Ad

Youth orchestra, chorus deliver stunning Stravinsky, Brahms in Cleveland (Feb. 16)

by

by Daniel Hathaway

This article was originally published on Cleveland.com

CLEVELAND, Ohio — Many shades of meaning are inherent in the adjective “youth,” some popular ones being “the quality or condition of being young, immature, or inexperienced.” Only the first of those labels applies to the Cleveland Orchestra Youth Orchestra and the Cleveland Orchestra Youth Chorus, who gave an impressive joint Winter Concert in Mandel Concert Hall at Severance Music Center on Sunday afternoon, February 16.

Although these musicians are certainly young, under the direction of music director Daniel Reith they demonstrated musical maturity beyond their years and exuded remarkable confidence and professionalism. Perhaps we should re-label these organisms as an “apprentice” orchestra and chorus, because they polished their ensemble skills with Cleveland Orchestra mentors and conductors after having learned them from distinguished teachers in the community.

Sunday’s performance further advanced the collective gains that COYO showed in its November concert, most notably in the final work, a thrilling account of Stravinsky’s 1919 Firebird Suite. Reith guided the piece with a steady hand while still allowing its many wonderfully played solos to shine.

[Read more…]

Daniel Singer: falling in love
with Fauré’s Requiem

by

by Mike Telin

“The first time I heard the Fauré Requiem was during my freshman year in college,” Cleveland Orchestra Youth Chorus director Daniel Singer recalled in an interview, adding that he instantly fell in love with the work. “It’s just a beautiful piece of choral music. It’s so melodic, and Fauré knew how to spin a tuneful melody.”

On Sunday, February 18 at 7:00 pm at Severance Music Center, the Chorus will join forces with the Cleveland Orchestra Youth Orchestra for a performance of Fauré’s beloved work. The program, under the direction of Daniel Reith, also includes Shostakovich’s Symphony No. 5. Tickets are available online. [Read more…]

The Sparks Fly Upward at the Maltz PAC (June 12)

by

by Daniel Hathaway

“Man is born to trouble as the sparks fly upward,” a line from The Book of Job, inspired the title of a full-length opera that received its Cleveland premiere last weekend at the Maltz Performing Arts Center. I saw the last of four performances on Sunday afternoon, June 12.

With libretto and music by Cathy Lesser Mansfield, the opera, which really more resembles a staged oratorio, filled the stage of Silver Hall with the 40-member cast and chorus.

The Sparks Fly Upward traces the saga of three families, two Jewish (the Rosenbaums and the Steins), one Christian (the Webers), beginning in the fall of 1938, when the Nazis start deporting Jews to Poland and the atrocities of Kristallnacht signal troubles to come. [Read more…]

The Sparks Fly Upward at the Maltz

by

by Mike Telin

When Cathy Lesser Mansfield was asked to write a piece for the youth theater program at the Jewish Community Center in Cleveland Heights in 1977, little did she know that her creation would mark the beginning of her journey to compose an opera.

“That was around the time that Joseph and the Amazing Technicolor Dreamcoat was popular. So after we did  ‘Joseph’ there was nothing left, so they commissioned young people to write some things,” Mansfield recalled during a Zoom conversation from her office at the Case Western Reserve School of Law where she is a senior instructor. “So I wrote this 45-minute piece with a guitar, piano, and little ensemble. That was The Job Story.”

On Thursday, June 9 at 7:30 pm, The Sparks Fly Upward will receive its Cleveland premiere at the Maltz Performing Arts Center. [Read more…]

Violinist Andrew Sords launches Green Point Editions

by

by Mike Telin 

“I’ve always been fascinated with works that are on the fringe of the repertoire,” violinist Andrew Sords said by telephone. The problem with learning and ultimately performing works that are off the beaten track is that even with published works, the editions are often riddled with mistakes, if not illegible. “I’m a little OCD when it comes to the score that’s in front of me. I want it to be legible, correct, and have it provide some historical context.”

Following years of frustration, Sords has taken matters into his own hands. Joining forces with music engraver Daniel Singer, the violinist’s new venture, Green Point Editions, sheds light on musical gems that are often neglected on concert stages. Currently available are works by Franz Joseph Haydn, Jenö Hubay, Wolfgang Amadeus Mozart, Jean Sibelius, Claudio Brindis de Salas, and Eugène Ysaÿe/Frederic Chopin.

Misprints in published editions have existed for centuries. Sords noted that Dvořák’s Violin Concerto has a famously wrong note in the final arpeggio. “You can’t blame the performer simply because they are playing from prints that their teachers said had the correct notes. But have some curiosity. Look at the Urtext, or prints from the 19th century that might be a little more accurate.”

[Read more…]

Cleveland Orchestra Youth Orchestra & Cleveland Orchestra Youth Chorus (Mar. 3)

by

by David Kulma

One of the great joys of teenage ensembles is the sheer vivacity and palpable excitement of the musicians, especially when they get to sink their teeth into important repertoire. This was in full view during this year’s joint Cleveland Orchestra Youth Orchestra and Cleveland Orchestra Youth Chorus concert on Sunday, March 3 at Severance Hall under COYO music director Vinay Parameswaran. [Read more…]

Cleveland Orchestra Youth Chorus:
a conversation with Daniel Singer

by

by Mike Telin

Singer-Daniel 2018“The members of the Cleveland Orchestra Youth Chorus are some of the best kids in their high school choral programs,” COYC acting director Daniel Singer said during a recent conversation. “When they come into this group they tear into learning new repertoire and tackle a professional masterwork like the Te Deum that is not dumbed down for kids in any way. They thrive on that challenge.”

On Sunday, February 25 at 7:00 pm in Severance Hall, the Cleveland Orchestra Youth Orchestra and Youth Chorus will come together for performances of Dvořák’s Te Deum featuring soprano Marian Vogel and baritone Brian Keith Johnson, and Hanson’s Song of Democracy. The concert, under the direction of Vinay Parameswaran, will also include Sibelius’s Symphony No. 1. Tickets are available online.

Singer, who is in his seventh year as Director of Music at University School, said that somehow, Dvořák’s Te Deum has stayed off his musical radar. [Read more…]

“Carols for Quire IX” at Trinity (Dec. 15)

by

by Timothy Robson

Quire2017BethSegalThe ninth annual edition of Quire Cleveland’s “Carols for Quire IX from the Old and New Worlds” offered a pleasing respite from both the British cathedral and collegiate chapel carol traditions so commonly emulated in the United States, as well as the popular symphonic Christmas concerts. At first glance, the program seemed quite austere: at least in the U.S., names like Lully, Rameau, and DuFay are not normally associated with Christmas music. I attended the first of three performances, on Friday, December 15 at Trinity Cathedral in downtown Cleveland. [Read more…]

In “Carols IX: Carols of Yore,” Quire Cleveland pulls from past favorites and adds Hanukkah

by

by Jarrett Hoffman

DuffinQuireTrinityQuire Cleveland’s latest holiday program spans from the 13th century up to this very decade. But that’s not the only way “Old & New” describes the ensemble’s ninth annual “Carols for Quire” concert, to be performed from December 15-17 in Cleveland and Rocky River. In honor of its tenth anniversary season, the choir will reach into its bag for some favorite carols from seasons past, and will close by celebrating the addition this year of Hanukkah music.

“A lot of what Quire does is Christian music, there’s no question about it,” Ross Duffin, founder and artistic director, said in a recent conversation. “That’s a large part of choral singing generally, just because the church has been such an important and ubiquitous patron for composers and singers throughout history.”

Duffin credited Executive Director Beverly Simmons — who also sings alto in the ensemble and is married to Duffin — for the idea to expand this year’s program to Hanukkah. “Her background is Jewish, and she sings every year for the High Holy Days,” he said.

[Read more…]

Review: Quire Cleveland — Carols for Quire 5 at Trinity Cathedral (December 20)

by

By Daniel Hathaway

QuireTrinityRoss W. Duffin led Quire Cleveland in the first of three concerts in its annual “Carols for Quire from The Old & New World” series at Trinity Cathedral on Friday evening — a performance that will surely be counted as one of the brightest choral highlights of the holiday season.

Taking a new tack for the series’ fifth edition, Duffin constructed an intriguing program pairing older and newer carols on the same or similar texts that brought freshness to what is becoming a cherished Cleveland holiday tradition — and setting some new challenges for his excellent, 20-voice chamber choir, founded to sing period music but which has recently been stretching its vocal wings in the direction of more modern repertoire. [Read more…]

Follow ClevelandClassical.com

Contact us