by Daniel Hathaway

by Daniel Hathaway

by Samantha Spaccasi

by Robert Rollin

The program’s highlight was a transcription of Schubert’s Erlkönig presented by violinist Jinjoo Cho and Murrath. The performance was stunning. Cho began the pulsating, triplet accompaniment at top speed and Murrath answered with the melody. [Read more…]
By Mike Telin

“Today’s magic word is context. It’s the most important word in chamber music,” Klein told the crowd following a splendid performance of the opening movement of Kodaly’s Serenade performed by Diana Cohen and David Bowlin, violins, and violist Yura Lee. [Read more…]
by Daniel Hathaway

Johann Sebastian Bach has to be one of the most frequently arranged composers of all time, and we have yet to meet a rescoring of his music that didn’t work at least on some level. But taking a piece originally scored for two-manual harpsichord and reworking it for violin, viola and cello would seem to be a real stretch.
In keeping with ChamberFest’s obsession with the number three during its third season, there were that many reasons why this arrangement worked on Saturday. [Read more…]