Jonathon Field’s Oberlin Opera Theater shows are always fresh and surprising, but his versions of Donizetti’s Viva la Mamma and Poulenc’s Les Mamelles de Tiresias burst onstage Wednesday evening in a laughfest of satire and surrealism. With casts that would put many professional companies to shame, these are must-see productions that will prick up your ears and kick-start your imagination. [Read more…]
Opera doesn’t get much more intimate than Oberlin Conservatory’s Winter Term production of Richard Wargo’s The Music Shop. Imaginatively directed by Sally Stunkel, Oberlin’s associate professor of opera theater, Wargo’s musical version of an Anton Chekhov story took place on the stage of Warner Concert Hall with the audience seated at the auditorium edge of the platform. Off in one corner, musical director and pianist Daniel Michalak provided the orchestral accompaniment, and the fine and energetic cast of four singers were so close you could see the perspiration on their brows as the action heated up. [Read more…]